Music in other words : Victorian conversations
著者
書誌事項
Music in other words : Victorian conversations
(California studies in 19th-century music, 12)
University of California Press, c2004
大学図書館所蔵 全4件
  青森
  岩手
  宮城
  秋田
  山形
  福島
  茨城
  栃木
  群馬
  埼玉
  千葉
  東京
  神奈川
  新潟
  富山
  石川
  福井
  山梨
  長野
  岐阜
  静岡
  愛知
  三重
  滋賀
  京都
  大阪
  兵庫
  奈良
  和歌山
  鳥取
  島根
  岡山
  広島
  山口
  徳島
  香川
  愛媛
  高知
  福岡
  佐賀
  長崎
  熊本
  大分
  宮崎
  鹿児島
  沖縄
  韓国
  中国
  タイ
  イギリス
  ドイツ
  スイス
  フランス
  ベルギー
  オランダ
  スウェーデン
  ノルウェー
  アメリカ
注記
Includes index
収録内容
- Beethoven as secular humanist : ideology and the Ninth symphony in nineteenth-century criticism
- Music in a Victorian mirror : MacMillan's magazine in the Grove years
- "Girling" at the parlor piano
- Biedermeier domesticity and the Schubert circle : a rereading
- "Tadpole pleasures" : Daniel Deronda as music historiography
- Fictions of the opera box
内容説明・目次
内容説明
Just as the preoccupations of any given cultural moment make their way into the language of music, the experience of music makes its way into other arenas of life. To unearth these overlapping meanings and vocabularies from the Victorian era, Ruth A. Solie examines sources as disparate as journalism, novels, etiquette manuals, religious tracts, and teenagers' diaries for the muffled, even subterranean, conversations that reveal so much about what music meant to the Victorians. Her essays, giving voice to 'what goes without saying' on the subject - that cultural information so present and pervasive as to go unsaid - fill in some of the most intriguing blanks in our understanding of music's history. This much-anticipated collection, bringing together new and hard-to-find pieces by an acclaimed musicologist, mines the abundant casual texts of the period to show how Victorian-era people - English and others - experienced music and what they understood to be its power and its purposes. Solie's essays start from topics as varied as Beethoven criticism, "Macmillan's Magazine", George Eliot's "Daniel Deronda", opera tropes in literature, and the Victorian myth of the girl at the piano.
They evoke common themes - including the moral force that was attached to music in the public mind and the strongly gendered nature of musical practice and sensibility - and in turn suggest the complex links between the history of music and the history of ideas.
目次
Prelude 1. Beethoven as Secular Humanist: Ideology and the Ninth Symphony in Nineteenth-Century Criticism 2. Music in a Victorian Mirror: MacmillanAfs Magazine in the Grove Years 3. "Girling" at the Parlor Piano 4. Biedermeier Domesticity and the Schubert Circle: A Rereading 5. "Tadpole Pleasures": Daniel Deronda as Music Historiography 6. Fictions of the Opera Box Index
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