Prehistoric art : the symbolic journey of humankind
Author(s)
Bibliographic Information
Prehistoric art : the symbolic journey of humankind
Harry N. Abrams, 2003
Available at 5 libraries
  Aomori
  Iwate
  Miyagi
  Akita
  Yamagata
  Fukushima
  Ibaraki
  Tochigi
  Gunma
  Saitama
  Chiba
  Tokyo
  Kanagawa
  Niigata
  Toyama
  Ishikawa
  Fukui
  Yamanashi
  Nagano
  Gifu
  Shizuoka
  Aichi
  Mie
  Shiga
  Kyoto
  Osaka
  Hyogo
  Nara
  Wakayama
  Tottori
  Shimane
  Okayama
  Hiroshima
  Yamaguchi
  Tokushima
  Kagawa
  Ehime
  Kochi
  Fukuoka
  Saga
  Nagasaki
  Kumamoto
  Oita
  Miyazaki
  Kagoshima
  Okinawa
  Korea
  China
  Thailand
  United Kingdom
  Germany
  Switzerland
  France
  Belgium
  Netherlands
  Sweden
  Norway
  United States of America
Note
Includes bibliographical references (p. 232) and index
Description and Table of Contents
Description
While some prehistoric sites - notably the painted caves at Lascaux in France and at Altamira in northern Spain - are familiar, many more such places are almost unknown. In fact, remains left by prehistoric men and women are far more numerous and have been found over a much greater territory - including Eurasia, Africa, Australia and the Americas - than most people are aware. These remains include paintings and engravings in caves and rock shelters, but also decorated tools, weapons, statuettes, personal ornaments and even musical instruments made of stone, ivory, antler, shell, bone and fired clay. In "Prehistoric Art", anthropologist Randall White presents a global survey, starting with the first explosion of imagery that occurred approximately 40,000 years ago but also including the creations of essentially "prehistoric" peoples living as recently as the early 20th century. Drawing on up-to-date research, White places these discoveries in context and discusses possible uses and meanings for the objects and images.
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