The philosophy of music : theme and variations
著者
書誌事項
The philosophy of music : theme and variations
Edinburgh University Press, c2004
- pbk
大学図書館所蔵 全5件
  青森
  岩手
  宮城
  秋田
  山形
  福島
  茨城
  栃木
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  千葉
  東京
  神奈川
  新潟
  富山
  石川
  福井
  山梨
  長野
  岐阜
  静岡
  愛知
  三重
  滋賀
  京都
  大阪
  兵庫
  奈良
  和歌山
  鳥取
  島根
  岡山
  広島
  山口
  徳島
  香川
  愛媛
  高知
  福岡
  佐賀
  長崎
  熊本
  大分
  宮崎
  鹿児島
  沖縄
  韓国
  中国
  タイ
  イギリス
  ドイツ
  スイス
  フランス
  ベルギー
  オランダ
  スウェーデン
  ノルウェー
  アメリカ
内容説明・目次
内容説明
New and distinctive approaches to five central topics in musical aesthetics are provided in this outstanding book. The topics are: understanding, representation, expression, performance and profundity. The theme of the book is the failure of the orthodox view - that pieces of music are more or less self-contained structures of sound - to account for some important features of our musical experience, and to explain why music should matter to us. In exposing and correcting that failure, the book introduces readers to the main problems and positions in the philosophy of music, proposes fresh solutions to those problems, and offers innovative approaches to the philosophy of song, to musical ontology, and to questions about the value of music. Each chapter is built around a single musical work, which provides a focus for the reader. Features * Broad, accessible introductory overview to philosophy of music * Original and stimulating insights
目次
- The Philosophy of Music: Theme and Variations
- Introduction - Music from Mars
- Chapter 1 Understanding
- Part 1.Background
- Part 2.Central Park in the Dark
- I. Music and Words
- II. Paraphrase
- III. Paraphrase and Art
- IV. Paraphrase and Music
- V. Understanding Ives
- Chapter 2 Representation
- Part 1. Background
- Part 2. La Cathedrale Engloutie
- I. Detachable Sounds
- II. Cryptographical Conventions
- III. Musical Thoughts
- IV. Resemblances
- V. Putting the Title Last
- Chapter 3 Expression
- Part 1.Background
- Part 2 Cynara
- I. The Prejudice Against Song
- II. Text and Music
- III. Appropriateness
- IV. Song as Expressive Music
- Chapter 4 Performance
- Part 1. Background
- Part 2. Chaconne
- I. Against Ontology
- II. Some Objections
- III. 'Authenticity'
- Chapter 5 Profundity
- Part 1. Background
- Part 2. Tapiola
- I. The Concept of Profundity
- II. Expressive Profundity
- III. Outlooks and Attitudes
- IV. Two Clarifications
- V. Sibelius's Profundity
- Conclusion The Other Theme.
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