Machaut's music : new interpretations

著者

• Leach, Elizabeth Eva

書誌事項

Machaut's music : new interpretations

edited by Elizabeth Eva Leach

（Studies in medieval and Renaissance music / general editors, Tess Knighton and Andrew Wathey, 1）

Boydell Press, 2003

注記

Includes bibliographical references (p. [277]-288) and index

収録内容

• Symmetry and dissymmetry in the music of the Lay de bonne esperance / V. Newes
• Speculum mortis: form and signification in Machaut's motet He! Mors/Fine amour/Quare non sum mortuus / J. Boogaart
• Observations on Machaut's motet He! Mors, com tu es haie/Fine amour, qui me vint navrer/Quare non sum mortuus / A.V. Clark
• Flos/Celsa and Machaut's motets: emulation - and error? / T. Brown
• Texture and counterpoint in the four-voice mass settings of Machaut and his contemporaries / K.N. Moll
• The 'harmony' of the Machaut Mass / M. Bent
• Machaut's Mass and sounding number / O. Rees
• Singing more about singing less: Machaut's Pour ce que tous (B12) / E.E. Leach
• Music writing and poetic voice in Machaut: some remarks on B12 and R14 / A. Stone
• A portrayal of the lady who guards her honour (B25) / J. Hirshberg
• Machaut's B-flat Balade honte, paour (B25) / P.M. Lefferts
• The intabulation of De toutes flours (B31) in the Codex Faenza as analytical model / J. Flynn
• Machaut's balade Ploures dames (B32) in the light of real modality / C. Berger
• Balades 32 and 33 and the 'res dalemangne' / J. Bain
• Male and female voice in two virelais of Guillaume de Machaut / W.P. Mahrt
• The marriage of words and music: Musique naturele and Musique artificiele in Machaut's Sans cuer, dolens (R4) / Y. Plumley
• Rose, lis revisited / D. Leech-Wilkinson
• Some observations regarding musico-textual interrelationships in late rondeaux by Machaut / K. Kügle

内容説明・目次

内容説明

Guillaume de Machaut was the foremost poet-composer of his time. Studies look at all aspects of his prodigious output. Guillaume de Machaut (1300-1377) is regarded as the greatest French poet-composer of the middle ages, as he was during his lifetime. A trained secretary, with a passion for collecting, copying and ordering his own work, the numberof surviving notated musical works attributed to him far exceeds that of any of his contemporaries. All the main genres of song - lais, virelais, balades, and rondeaux - together with Machaut's motets, and his famous Masscycle are considered here from a variety of perspectives. These incorporate the latest scholarly understanding of both Machaut's poetry and music, and the material form they take when notated in the surviving manuscripts. The bookthus presents a detailed picture of the current range of interpretative approaches to Machaut's music, focusing variously on counterpoint, musica ficta, text setting, musico-poetic meanings, citation and intertextuality, tonality, and compositional method. Several of Machaut's works are discussed by a pair of contributors, who reach conclusions at times mutually reinforcing or complementary, at times contradictory and mutually exclusive. That Machaut's music thrives on such constructive debate and disagreement is a tribute to his scope as an artist, and his musico-poetic achievement. Contributors: JENNIFER BAIN, MARGARET BENT, CHRISTIAN BERGER, JACQUES BOOGAART,THOMAS BROWN, ALICE V. CLARK, JANE E. FLYNN, JEHOASH HIRSHBERG, KARL KUEGLE, ELIZABETH EVA LEACH, DANIEL LEECH-WILKINSON, ETER M. LEFFERTS, WILLIAM PETER MAHRT, KEVIN N. MOLL, VIRGINIA NEWES, YOLANDA PLUMLEY, OWEN REES, ANNE STONE. ELIZABETH EVA LEACH lectures in music at Royal Holloway, University of London.

目次

Symmetry and Dissymmetry in the Music of the Lay de Bonne Esperance (L18/13) - Virginia Newes SPECULUM MORTIS: Form and Signification in Machaut's Motet He Mors / Fine Amour / Quare non sum mortuus (M3) - Jacques Boogaart Observations on Machaut's He Mors, com tu es haie / Fine Amour, qui me vint navrer / Quare non sum mortuus (M3) - Alice V. Clark Flos / Celsa and Machaut's Motets: Emulation - and Error? - Thomas Brown Texture and Counterpoint in the Four-Voice Mass Settings of Machaut and his Contemporaries - Kevin N Moll The 'Harmony' of the Machaut Mass - Margaret Bent Machaut's Mass and Sounding Number - Singing More About Singing Less: Machaut's Pour ce que tous (B12) - Elizabeth Eva Leach Music Writing and Poetic Voice in Machaut: Some Remarks on B12 and R14 - Anne Stone A Portrayal of the Lady who Guards her Honour (B25) - Jehoash Hirshberg Machaut's B-flat Balade Honte, paour (B25) - Peter M. Lefferts The Intabulation of De toutes flours (B31) in the Codex Faenza as Analytical Model - Jane E Flynn Machaut's Balade Ploures dames (B32) in the Light of Real Modality - Christian Berger Balades 32 and 33 and the 'res dalemangne' - Jennifer Bain Male and Female Voice in Two Virelais of Guillaume de Machaut - William Mahrt The Marriage of Words and Music: Musique Naturele and Musique Artificiele in Machaut's Sans cuer, dolens (R4)(R4) - Yolanda Plumley Rose, lis Revisited - Daniel Leech-Wilkinson Some Observations Regarding Musico-Textual Interrelationships in Late Rondeaux by Machaut - Karl Kugle

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詳細情報

• NII書誌ID(NCID): BA67213599
• ISBN:
  • 1843830167
• LCCN: 2003005345
• 出版国コード: uk
• タイトル言語コード: eng
• 本文言語コード: eng
• 出版地: Woodbridge, Suffolk, U.K.
• ページ数/冊数: xviii, 296 p.
• 大きさ: 25 cm
• 分類:
  • LCC : ML410.G966
  • DC21 : 783/.0092
• 件名:
  • LCSH : Guillaume, de Machaut, ca. 1300-1377
• 親書誌ID:
  • BA67213522