Directing the documentary

著者

書誌事項

Directing the documentary

Michael Rabiger

Focal Press, an imprint of Elsevier, c2004

4th ed

大学図書館所蔵 件 / 全6件

この図書・雑誌をさがす

注記

Includes bibliographical references (p. [599]-608) and index

内容説明・目次

内容説明

Tens of thousands of readers have benefited from Michael Rabiger's classic text on documentary filmmaking, now updated to reflect the revolutionary switch to digital video equipment and software. You will learn how to research and focus a documentary film or video idea, develop a crew, direct the crew, maintain control during shooting, and oversee postproduction. Practical work is emphasized, with dozens of exercises and questionnaires to help focus your ideas and give you hands-on practice. The documentary is treated as an important genre in its own right, as well as a useful prelude to directing feature films. The fourth edition is a significant update. The book's emphasis has always been on concrete steps you can take to become a documentary filmmaker, and there are loads of new projects to help, along with assessment tables that allow you to gauge your progress. In addition, there is new material on location sound, the reality TV trend, top documentaries to see, and more.

目次

Part 1: Introduction, History and Future Ch. 1: The Director's Role Ch. 2: A Brief and Functional History of the Documentary Part 2: Aesthetics and Authorship Ch. 3: Elements of the Documentary Ch. 4: Evidence of Point of View in the Documentary Ch. 5: Time, Development, and Structure Ch. 6: Authorship Challenges and Opportunities Ch. 7: Re-enactment, Reconstruction, and Docudrama Ch. 8: Documentary Theory and the Issue of Representation Ch. 9: Projects: Critical Writing Part 3: Identity and Authorship Ch. 10: Projects: Recognizing Your Artisitic Identity Ch. 11: Developing Your Story Ideas Part 4: Screencraft Ch. 12: Screen Grammar Ch. 13: Projects: Screencraft Analysis Ch. 14: Projects Basic Production Part 5: Preproduction Ch. 15: Initial Research and the Draft Proposal Ch. 16: Research Leading Up to the Shoot Ch. 17: Missions and Permissions Ch. 18: Developing a Crew Ch. 19: The Preproduction Meeting Part 6: Production Ch. 20: Camera Equipment and Shooting Procedure Ch. 21: Lighting Ch. 22: Location Sound Ch. 23: Avoiding Problems Ch. 24: Interviewing Ch. 25: Directing Participants Ch. 26: Directing the Crew Ch. 27: Authorship Ch. 28: Projects: Advanced Production Part 7: Postproduction Ch. 29: Postproduction Begins Ch. 30: The Paper Edit: Designing a Structure Ch. 31: Editing: The First Assembly Ch. 32: Editing: The Process of Refinement Ch. 33: Narration Ch. 34: Editing: The End Game Ch. 35: Using Music and Working with a Composer Ch. 36: Editing: From Fine Cut to Sound Mix Ch. 37: Titles and Acknowledgments Ch. 38: Projects: Postproduction Part 8: Career Track Ch. 39: Education Ch. 40: Getting Work Part 9: Other Information Appendix 1: Projects: Outcomes Assessment Criteria Appendix 2: Useful Forms Filmography of Director Michael Rabiger Glossary Film Sources Bibliography Periodicals Useful Websites Index

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