Directing the documentary
著者
書誌事項
Directing the documentary
Focal Press, an imprint of Elsevier, c2004
4th ed
大学図書館所蔵 全6件
  青森
  岩手
  宮城
  秋田
  山形
  福島
  茨城
  栃木
  群馬
  埼玉
  千葉
  東京
  神奈川
  新潟
  富山
  石川
  福井
  山梨
  長野
  岐阜
  静岡
  愛知
  三重
  滋賀
  京都
  大阪
  兵庫
  奈良
  和歌山
  鳥取
  島根
  岡山
  広島
  山口
  徳島
  香川
  愛媛
  高知
  福岡
  佐賀
  長崎
  熊本
  大分
  宮崎
  鹿児島
  沖縄
  韓国
  中国
  タイ
  イギリス
  ドイツ
  スイス
  フランス
  ベルギー
  オランダ
  スウェーデン
  ノルウェー
  アメリカ
注記
Includes bibliographical references (p. [599]-608) and index
内容説明・目次
内容説明
Tens of thousands of readers have benefited from Michael Rabiger's classic text on documentary filmmaking, now updated to reflect the revolutionary switch to digital video equipment and software. You will learn how to research and focus a documentary film or video idea, develop a crew, direct the crew, maintain control during shooting, and oversee postproduction. Practical work is emphasized, with dozens of exercises and questionnaires to help focus your ideas and give you hands-on practice. The documentary is treated as an important genre in its own right, as well as a useful prelude to directing feature films.
The fourth edition is a significant update. The book's emphasis has always been on concrete steps you can take to become a documentary filmmaker, and there are loads of new projects to help, along with assessment tables that allow you to gauge your progress. In addition, there is new material on location sound, the reality TV trend, top documentaries to see, and more.
目次
Part 1: Introduction, History and Future
Ch. 1: The Director's Role
Ch. 2: A Brief and Functional History of the Documentary
Part 2: Aesthetics and Authorship
Ch. 3: Elements of the Documentary
Ch. 4: Evidence of Point of View in the Documentary
Ch. 5: Time, Development, and Structure
Ch. 6: Authorship Challenges and Opportunities
Ch. 7: Re-enactment, Reconstruction, and Docudrama
Ch. 8: Documentary Theory and the Issue of Representation
Ch. 9: Projects: Critical Writing
Part 3: Identity and Authorship
Ch. 10: Projects: Recognizing Your Artisitic Identity
Ch. 11: Developing Your Story Ideas
Part 4: Screencraft
Ch. 12: Screen Grammar
Ch. 13: Projects: Screencraft Analysis
Ch. 14: Projects Basic Production
Part 5: Preproduction
Ch. 15: Initial Research and the Draft Proposal
Ch. 16: Research Leading Up to the Shoot
Ch. 17: Missions and Permissions
Ch. 18: Developing a Crew
Ch. 19: The Preproduction Meeting
Part 6: Production
Ch. 20: Camera Equipment and Shooting Procedure
Ch. 21: Lighting
Ch. 22: Location Sound
Ch. 23: Avoiding Problems
Ch. 24: Interviewing
Ch. 25: Directing Participants
Ch. 26: Directing the Crew
Ch. 27: Authorship
Ch. 28: Projects: Advanced Production
Part 7: Postproduction
Ch. 29: Postproduction Begins
Ch. 30: The Paper Edit: Designing a Structure
Ch. 31: Editing: The First Assembly
Ch. 32: Editing: The Process of Refinement
Ch. 33: Narration
Ch. 34: Editing: The End Game
Ch. 35: Using Music and Working with a Composer
Ch. 36: Editing: From Fine Cut to Sound Mix
Ch. 37: Titles and Acknowledgments
Ch. 38: Projects: Postproduction
Part 8: Career Track
Ch. 39: Education
Ch. 40: Getting Work
Part 9: Other Information
Appendix 1: Projects: Outcomes Assessment Criteria
Appendix 2: Useful Forms
Filmography of Director Michael Rabiger
Glossary
Film Sources
Bibliography
Periodicals
Useful Websites
Index
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