The two natures
著者
書誌事項
The two natures
(The selected works of Cyril Connolly / Cyril Connolly ; edited and with an introduction by Matthew Connolly ; foreword by William Boyd, v. 2)
Picador, c2002
- 統一タイトル
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Selections. 2002
大学図書館所蔵 全2件
  青森
  岩手
  宮城
  秋田
  山形
  福島
  茨城
  栃木
  群馬
  埼玉
  千葉
  東京
  神奈川
  新潟
  富山
  石川
  福井
  山梨
  長野
  岐阜
  静岡
  愛知
  三重
  滋賀
  京都
  大阪
  兵庫
  奈良
  和歌山
  鳥取
  島根
  岡山
  広島
  山口
  徳島
  香川
  愛媛
  高知
  福岡
  佐賀
  長崎
  熊本
  大分
  宮崎
  鹿児島
  沖縄
  韓国
  中国
  タイ
  イギリス
  ドイツ
  スイス
  フランス
  ベルギー
  オランダ
  スウェーデン
  ノルウェー
  アメリカ
内容説明・目次
内容説明
Cyril Connolly, the celebrated essayist and critic, lived a turbulent creative and personal existence at the heart of the English literary and artistic world until his death in 1974. The Two Natures is the second and final volume of his Selected Works, edited by his son Matthew Connolly. It opens with `An Edwardian Boyhood', from his early masterpiece, Enemies of Promise - a frequently charming, occasionally horrifying and unflinchingly honest account of his youth and formative influences.
The centrepiece of this volume is The Unquiet Grave, Connolly's most famous work, originally published under the pseudonym Palinurus. Written during the Second World War, this unique and inspiring book is a dreamlike and passionate but also sombre meditation on the pinnacles of European culture from ancient times to the present, now threatened again by barbarian darkness.
Leavening this collection are numerous sparkling examples of Cyril Connolly's travel essays, memoirs and satirical short stories. And The Two Natures concludes with his paean to poetry, which he believed to be `the supreme form of communication' and which was perhaps - his tumultuous romantic life and three marriages notwithstanding - the greatest love of his life.
`I was bowled over by The Unquiet Grave - stirring memories, reviving longings - when it came out in 1944 . . . The book is not an anthology: it is a composition, not easy to follow like a symphony first heard, although bedazzling at once by exquisite passages, disquieting thoughts, elegiac cries of pain, conjurations of pleasures lost . . . I read, and re-read, also for the quality of his prose: formed by a classical education, set free by his own voice - now lyrical, now taut; now private, now magisterial; no one in our language has written so sensuously of the beauty of fruit and plants, of animals, of the natural world. And there are his litanies, incantations that twist the heart - shapes of waterfronts, streets of Paris . . . ' Sybille Bedford in the Daily Telegraph, choosing The Unquiet Grace as her Book of the Century
`It is a book which, no matter how many readers it will ever have, will never have enough' Ernest Hemingway on The Unquiet Grave
`He's a writer for all seasons, for all readers . . . Whether he is talking about a meal of a rough red wine and steak frites, or wandering through Lisbon or Rome looking at architecture, one feels through his words the physical relish he takes in the experience. He makes you want to do the same things and derive the same intense enjoyment as he does' William Boyd
`For an expert in low spirits, Connolly seems to have had a high old time' Anthony Lane, New Yorker
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