Production of presence : what meaning cannot convey
著者
書誌事項
Production of presence : what meaning cannot convey
Stanford University Press, 2004
- : cloth : alk. paper
- : pbk. : alk. paper
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注記
Includes index
内容説明・目次
- 巻冊次
-
: cloth : alk. paper ISBN 9780804749152
内容説明
Production of Presence is a comprehensive version of the thinking of Hans Ulrich Gumbrecht, one of the most consistently original literary scholars writing today. It offers a personalized account of some of the central theoretical movements in literary studies and in the humanities over the past thirty years, together with an equally personal view of a possible future. Based on this assessment of the past and the future of literary studies and the humanities, the book develops the provocative thesis that, through their exclusive dedication to interpretation, i.e. to the reconstruction and attribution of meaning, the humanities have become incapable of addressing a dimension in all cultural phenomena that is as important as the dimension of meaning. Interpretation alone cannot do justice to the dimension of "presence," a dimension in which cultural phenomena and cultural events become tangible and have an impact on our senses and our bodies. Production of Presence is a passionate plea for a rethinking and a reshaping of the intellectual practice within the humanities.
目次
Contents User's Manual--xiii Materialities/The Nonhermeneutic/Presence: An Anecdotal Account of Epistemological Shifts--1 Metaphysics: A Brief Prehistory of What Is Now Changing--21 Beyond Meaning: Positions and Concepts in Motion--51 Epiphany/Presentification/Deixis: Futures for the Humanities and Arts--91 To Be Quiet for a Moment: About Redemption--133 Notes--155 Index--173 Library of Congress Subject Headings for this publication: Aesthetics, Experience
- 巻冊次
-
: pbk. : alk. paper ISBN 9780804749169
内容説明
Production of Presence is a comprehensive version of the thinking of Hans Ulrich Gumbrecht, one of the most consistently original literary scholars writing today. It offers a personalized account of some of the central theoretical movements in literary studies and in the humanities over the past thirty years, together with an equally personal view of a possible future. Based on this assessment of the past and the future of literary studies and the humanities, the book develops the provocative thesis that, through their exclusive dedication to interpretation, i.e. to the reconstruction and attribution of meaning, the humanities have become incapable of addressing a dimension in all cultural phenomena that is as important as the dimension of meaning. Interpretation alone cannot do justice to the dimension of "presence," a dimension in which cultural phenomena and cultural events become tangible and have an impact on our senses and our bodies. Production of Presence is a passionate plea for a rethinking and a reshaping of the intellectual practice within the humanities.
目次
Contents User's Manual--xiii Materialities/The Nonhermeneutic/Presence: An Anecdotal Account of Epistemological Shifts--1 Metaphysics: A Brief Prehistory of What Is Now Changing--21 Beyond Meaning: Positions and Concepts in Motion--51 Epiphany/Presentification/Deixis: Futures for the Humanities and Arts--91 To Be Quiet for a Moment: About Redemption--133 Notes--155 Index--173 Library of Congress Subject Headings for this publication: Aesthetics, Experience
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