CiNii 図書 - Essential cinema : on the necessity of film canons

In his astute and deeply informed film reviews and essays, Jonathan Rosenbaum regularly provides new and brilliant insights into the cinema as art, entertainment, and commerce. Guided by a personal canon of great films, Rosenbaum sees, in the ongoing hostility toward the idea of a canon shared by many within the field of film studies, a missed opportunity both to shape the discussion about cinema and to help inform and guide casual and serious filmgoers alike. In Essential Cinema, Rosenbaum forcefully argues that canons of great films are more necessary than ever, given that film culture today is dominated by advertising executives, sixty-second film reviewers, and other players in the Hollywood publicity machine who champion mediocre films at the expense of genuinely imaginative and challenging works. He proposes specific definitions of excellence in film art through the creation a personal canon of both well-known and obscure movies from around the world and suggests ways in which other canons might be similarly constructed. Essential Cinema offers in-depth assessments of an astonishing range of films: established classics such as Rear Window, M, and Greed; ambitious but flawed works like The Thin Red Line and Breaking the Waves; eccentric masterpieces from around the world, including Irma Vep and Archangel; and recent films that have bitterly divided critics and viewers, among them Eyes Wide Shut and A.I. He also explores the careers of such diverse filmmakers as Robert Altman, Raul Ruiz, Frank Tashlin, Elaine May, Sam Fuller, Terrence Davies, Edward Yang, Hou Hsiao-hsien, and Orson Welles. In conclusion, Rosenbaum offers his own film canon of 1,000 key works from the beginning of cinema to the present day. A cogent and provocative argument about the art of film, Essential Cinema is also a fiercely independent reference book of must-see movies for film lovers everywhere.

Acknowledgments Introduction I. Classics Fables of the Reconstruction: The Four-Hour Greed Fascinating Rhythms: M The Color of Paradise: Jour de fete Backyard Ethics: Hitchcock's Rear Window Songs in the Key of Everyday Life: The Umbrellas of Cherbourg A Tale of the Wind: Joris Ivens's Last Testament Kira Muratova's Home Truths: The Asthenic Syndrome The Importance of Being Sarcastic: Satantango Blush The Ceremony Thieves True Grit: Rosetta II. Special Problems Malick's Progress Improvisations and Interactions in Altmanville, with an Afterword: Nashville Mixed Emotions: Breaking the Waves Fast, Cheap & Out of Control The Sweet Cheat: Time Regained James Benning's Four Corners Overrated Solutions: L'humanite The Sound of German: Straub-Huillet's The Death of Empedocles Beyond the Clouds: Return to Beauty Reality and History as the Apotheosis of Southern Sleaze: Phil Karlson's The Phenix City Story Is Ozu Slow? The Human Tough: Decalogue and Fargo III. Other Canons, Other Canonizers Lfie Intimidates Art: Irma Vep Stanley Kwan's Actress: Writing History in Quicksand Critical Distance: Godard's Contempt Remember Amnesia? (Guy Maddin's Archangel), with an Afterword: Ten Years Later (Please Watch Carefully: The Heart of the World) Ragged but Right: Rivette's Up Down Fragile Critic with a Camera: Marker on Tarkovsky Riddles of a Spinx: From the Journals of Jean Seberg International Harvest: National Film Histories on Video International Sampler: Ghost Dog: The Way of the Samurai Not the Same Old Song and Dance: The Young Girls of Rochefort Flaming Creatures and Scotch Tape Ruiz Hopping and Buried Treasures: Twelve Selected Global Sites IV. Disputable Contenders Back in Style: Bertolucci's Besieged The Young One: Bunuel's Neglected Masterpiece In Dreams Begin Responsibilities: Kubrick's Eyes Wide Shut The Best of Both Worlds: A.I. Artificial Intelligence Under the Chador: The Day I Became a Woman Chains of Ignorance: Charles Burnett's Nightjohn Good Vibrations: Waking Life Hell on Wheels: Taxi Driver Meat, John, Dough: Pretty Woman Tashlinesque Weird and Wonderful: Takeshi Kitano's Kikujiro Corpus Callosum V. Filmmakers Mann of the West Otto Preminger Nicholas Ray Exiles in Modernity: Films by Edward Yang Hou Hsiao-hsien: Becoming Taiwanese The Countercultural Histories of Rudy Wurlitzer Sam Fuller: The Words of an Innocent Warrior The Mysterious Elaine May: Hiding in Plain Sight Visionary Agitprop: I Am Cuba The Battle over Orson Welles License to Feel: Distant Voices, Still Lives and The Neon Bible Death and Life: Landscapes of the Soul-The Cinema of AlexanderDovzhenko Appendix: 1,000 Favorites (A Personal Canon) Index

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Essential cinema : on the necessity of film canons

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