Writing Ghana, imagining Africa : nation and African modernity
著者
書誌事項
Writing Ghana, imagining Africa : nation and African modernity
(Rochester studies in African history and the diaspora, no. 16)
University of Rochester Press, 2003, c2004
大学図書館所蔵 全6件
  青森
  岩手
  宮城
  秋田
  山形
  福島
  茨城
  栃木
  群馬
  埼玉
  千葉
  東京
  神奈川
  新潟
  富山
  石川
  福井
  山梨
  長野
  岐阜
  静岡
  愛知
  三重
  滋賀
  京都
  大阪
  兵庫
  奈良
  和歌山
  鳥取
  島根
  岡山
  広島
  山口
  徳島
  香川
  愛媛
  高知
  福岡
  佐賀
  長崎
  熊本
  大分
  宮崎
  鹿児島
  沖縄
  韓国
  中国
  タイ
  イギリス
  ドイツ
  スイス
  フランス
  ベルギー
  オランダ
  スウェーデン
  ノルウェー
  アメリカ
注記
Includes bibliographical references (p. 319-336) and index
内容説明・目次
内容説明
Writing Ghana, Imagining Africa changes dominant ideas about Africa's relations with modernity and the global history of nationalism by recovering, and bringing fresh interpretations to, a modern genealogy of African nationalist theory. This is done by examining the writing of intellectuals from preindependence Ghana from the latter half of the nineteenth century to the mid-twentieth, writers who operated self-consciously in a Pan-African ideological framework. By confronting the concept of "the African Nation" under the colonial order, the book argues, these writer-intellectuals were also confronting modernity in ways that would be important to the late twentieth and earlytwenty-first centuries.
Writing Ghana, Imagining Africa is affiliated with recent revisionary works that have demonstrated the conceptual and existential validity of "alternative modernities." This book proposes in this regard to shift our understanding of the modern from a securely and exclusively Western mode of being to the modern as relational and inclusively intercultural. It mobilizes this relational and intercultural conception to locateand outline "African modernity."
Additionally,Writing Ghana, Imagining Africa demonstrates why and how projections of, and debates about, "African modernity" have been more than a continental affair. This book locates African modernity at the core of the activist intellection of the internationalist and black Atlantic nationalism of Pan-Africanism. Hence it comprehensively relates the thought of African Americans (Martin Delany, Alexander Crummell, W. E. B. Du Bois, Richard Wright), and West Indians (George Padmore, C.L.R. James), to that of seminal anglophone West African thinkers like E. W. Blyden, Africanus Horton, J. E. Casely Hayford, and Kwame Nkrumah.
Kwaku Larbi Korang is Associate Professor in the Department of African and African American Studies at Ohio State University.
目次
- Here, There and Everywhere: Modernity in Question Impossible Necessities: Reading an African Formation in Contradiction Imperial Exchanges, Postimperial Reconfigurations: Africa in the Modern, the Modern in Africa Worlding Nativity: Early Gold Coast Culturalist Imperatives and Nationalist Initiatives On the Road to Ghana: Negotiations, Paradoxes, Pratfalls Faust in Africa: Genealogy of a "Messenger Class" Black Orpheus
- or the (Modernist) Return of the Native Prometheus Unbound: Nkrumah's Ghana: The Autobiography of Kwame Nkrumah Ethical Transnationalism, Postcolonialism, the Black Atlantic: Writing Ghana, Imagining Africa vis-a-vis the Contemporary Revisionisms
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