Writing Ghana, imagining Africa : nation and African modernity
Author(s)
Bibliographic Information
Writing Ghana, imagining Africa : nation and African modernity
（Rochester studies in African history and the diaspora, no. 16）
University of Rochester Press, 2003, c2004
Available at / 6 libraries
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Graduate School of Asian and African Area Studies, Kyoto Universityアフリカ専攻
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Library, Institute of Developing Economies, Japan External Trade Organization図
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Note
Includes bibliographical references (p. 319-336) and index
Description and Table of Contents
Description
Writing Ghana, Imagining Africa changes dominant ideas about Africa's relations with modernity and the global history of nationalism by recovering, and bringing fresh interpretations to, a modern genealogy of African nationalist theory. This is done by examining the writing of intellectuals from preindependence Ghana from the latter half of the nineteenth century to the mid-twentieth, writers who operated self-consciously in a Pan-African ideological framework. By confronting the concept of "the African Nation" under the colonial order, the book argues, these writer-intellectuals were also confronting modernity in ways that would be important to the late twentieth and earlytwenty-first centuries.
Writing Ghana, Imagining Africa is affiliated with recent revisionary works that have demonstrated the conceptual and existential validity of "alternative modernities." This book proposes in this regard to shift our understanding of the modern from a securely and exclusively Western mode of being to the modern as relational and inclusively intercultural. It mobilizes this relational and intercultural conception to locateand outline "African modernity."
Additionally,Writing Ghana, Imagining Africa demonstrates why and how projections of, and debates about, "African modernity" have been more than a continental affair. This book locates African modernity at the core of the activist intellection of the internationalist and black Atlantic nationalism of Pan-Africanism. Hence it comprehensively relates the thought of African Americans (Martin Delany, Alexander Crummell, W. E. B. Du Bois, Richard Wright), and West Indians (George Padmore, C.L.R. James), to that of seminal anglophone West African thinkers like E. W. Blyden, Africanus Horton, J. E. Casely Hayford, and Kwame Nkrumah.
Kwaku Larbi Korang is Associate Professor in the Department of African and African American Studies at Ohio State University.
Table of Contents
- Here, There and Everywhere: Modernity in Question Impossible Necessities: Reading an African Formation in Contradiction Imperial Exchanges, Postimperial Reconfigurations: Africa in the Modern, the Modern in Africa Worlding Nativity: Early Gold Coast Culturalist Imperatives and Nationalist Initiatives On the Road to Ghana: Negotiations, Paradoxes, Pratfalls Faust in Africa: Genealogy of a "Messenger Class" Black Orpheus
- or the (Modernist) Return of the Native Prometheus Unbound: Nkrumah's Ghana: The Autobiography of Kwame Nkrumah Ethical Transnationalism, Postcolonialism, the Black Atlantic: Writing Ghana, Imagining Africa vis-a-vis the Contemporary Revisionisms
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