Dark humor and social satire in the modern British novel
著者
書誌事項
Dark humor and social satire in the modern British novel
Palgrave Macmillan, 2003
大学図書館所蔵 全9件
注記
Includes bibliographical references (p. [145]-150) and index
内容説明・目次
内容説明
Colletta uses psychoanalytic theories of joke-work and gallows humour to argue that dark humour is an important, defining characteristic of Modernism. She brings together the usual suspects alongside more often overlooked writers from the period, and asks probing questions about the relationship between a dark humour that 'revels in the non-rational, the unstable, and the fragmented, and resists easy definition and political usefulness' and the historical and social circumstances of the period. Colletta makes a compelling argument that probing deeply into the nature of humour or satire that define these 'social comedies' brings to light a more complex, and more accurate, understanding of the social changes and historical circumstances that define the modern era.
目次
Comic Theory, the Social Novel, and Freud Criticizing the Social System: Mrs. Dalloway, Virginia Woolf's Dark Comedy of Manners The Dark Domestic Vision of Ivy Compton-Burnett: A House and Its Head The Too, Too Bogus World: Evelyn Waugh's Vile Bodies Astolpho Meets Sisyphus: Melancholy and Repetition in Anthony Powell's Afternoon Men
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