Charms that soothe : classical music and the narrative film
著者
書誌事項
Charms that soothe : classical music and the narrative film
（Communications and media studies, no. 9）
Fordham University Press, 2003
- : pbk
大学図書館所蔵 件 / 全2件
-
該当する所蔵館はありません
- すべての絞り込み条件を解除する
注記
Includes bibliographical references (p. [189]-201) and index
HTTP:URL=http://www.loc.gov/catdir/toc/ecip044/2003011363.html Information=Table of contents
収録内容
- Interdiscipline and the place of classical music in film studies
- Film music and the musical community
- Sound montage and counterpoint analogies
- Narration, program, and narrative
- Interpreting classical music in film
- Summary, conclusions, and implications
内容説明・目次
内容説明
From Chaplin's brilliant use of Wagner in The Gold Rush to the Bach chorale closing Scorsese's Casino, classical music has played a fascinating role in movies.
Dean Duncan provides a fresh critical survey of the aesthetics of classical music in film. Exploring tensions between high art and commercial culture, Duncan examines how directors quote themes and classical passages in genres ranging from the Soviet avant garde to Hollywood romances. Drawing on film theory, musicology, and cultural criticism, he clarifies the connections between two very different art forms.
「Nielsen BookData」 より