Musical symbolism in the operas of Debussy and Bartók : trauma, gender, and the unfolding of the unconscious

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Musical symbolism in the operas of Debussy and Bartók : trauma, gender, and the unfolding of the unconscious

Elliott Antokoletz with the collaboration of Juana Canabal Antokoletz

Oxford University Press, 2004

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注記

Includes bibliographical references (p. 295-340) and index

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