The theatre of Suzuki Tadashi
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Bibliographic Information
The theatre of Suzuki Tadashi
Cambridge University Press, 2004
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Note
Includes bibliographical references (p. 282-285) and index
Description and Table of Contents
Description
Suzuki is Japan's best-known director. He has been internationally acclaimed for his postmodern adaptations of classics by Nanboku, Euripides, Shakespeare and Chekhov since the 1970s, including The Trojan Women, King Lear and Three Sisters and, equally, for his powerful actor training system, which combines elements of Noh and Kabuki with Western realism. Inviting artists from around the world to perform at his Toga and Shizuoka International Festivals, Suzuki has fostered productive exchanges with Jean-Louis Barrault, Robert Wilson, Kanze Hisao, Ashikawa Yoko and numerous others. This 2004 book traces Suzuki's rise from Little Theatre director to international festival celebrity, links his unique Surrealist dramaturgy with his intercultural training system, and gives in-depth descriptions of his most acclaimed productions.
Table of Contents
- List of illustrations
- Acknowledgements
- List of abbreviations
- Chronology
- Introduction: Suzuki's work in the context of Japanese Theatre Takahashi Yasunari
- 1. Rethinking Japanese theatre: cracking the codes Ian Carruthers
- 2. Inaugurating an age of decentralisation Ian Carruthers
- 3. Suzuki training: the sum of the interior angles Ian Carruthers
- 4. Adaptations of Japanese classics: On the Dramatic Passions II and John Silver Ian Carruthers
- 5. Suzuki's Euripides (I): The Trojan Women Ian Carruthers
- 6. Suzuki's Euripides (II): The Bacchae Ian Carruthers
- 7. Suzuki's Chekhov: The Chekhov and Ivanov Ian Carruthers
- 8. Suzuki's Shakespeare (I): Macbeth Ian Carruthers
- 9. Suzuki's Shakespeare (II): King Lear Takahashi Yasunari
- Notes
- Select bibliography
- Index.
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