Screen culture : history and textuality
著者
書誌事項
Screen culture : history and textuality
（Stockholm studies in cinema, 3）
John Libbey, c2004
- : softback
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注記
"This volume constitutes vol. 5, no. 1/2 of Aura. Film studies journal"--T.p. verso
Includes index
内容説明・目次
内容説明
"Screen Culture: History and Textuality" explores the impact of digital culture on the discipline of film and television studies. Whether the notion of screen culture is used to designate the technological platforms common to present-day digital media, or whether it refers to the support material on which moving images have historically been projected, scanned or displayed, "Screen Culture" is primarily concerned with the intermedial appraisal of film, television and digital culture. Included are discussions of the interrelation of film and television with the nineteenth-century panorama, the 'dissolving views' of lantern technologies, radiophony, and the present-day immersive views provided by internet technologies and large-scale film presentations such as IMAX. The anthology includes fifteen previously unpublished essays by Richard Abel, William Boddy, Ben Brewster, Douglas Gomery, Alison Griffiths, Vreni Hockenjos, Jan Holmberg, Arne Lunde, Peter Lunenfeld, Charles Musser, Jan Olsson, Barry Salt, Michele L.
Torre, William Uricchio, Malin Wahlberg, and is edited by John Fullerton, an associate professor in the Department of Cinema Studies at Stockholm University, and finalist in the 2001 Kraszna-Krausz Moving Image Book Awards. His previous publications for John Libbey Publishing include "Celebrating 1895: The Centenary of Cinema" (1998), and in the "Stockholm Studies in Cinema" series, "Nordic Explorations: Film Before 1930" (1999) and "Moving Images: From Edison to the Webcam" (2000).
目次
- Introduction, by John Fullerton 1. Rethinking film history through the textual Towards a history of theatrical culture: imagining an integrated historyof stage and screen, by Charles Musser
- 'Garbo Talks!': Scandinavians in Hollywood, the talkie revolution, and thecrisis of foreign voice, by Arne Lunde
- Artaud's radio: avant-gardism and the event of mediated sound, by Malin Wahlberg
- Vitagraph films: a touch of real class, by Barry Salt
- The Vitagraph fragments in the Library of Congress paper prints collection, by Ben Brewster
- Filtering culture: symbolism, modernity and gender construction inEvgenii Bauer's films, by Michele L. Torre
- Pressing inroads: metaspectators and the nickelodeon culture, by Jan Olsson
- Finding the French on American screens, 1910-14, by Richard Abel 2. Rethinking textuality through technological change Re-discovering the challenge of textual instability: new media?s lessonsfor old media historians, by William Uricchio
- The perfect machine: Hollis Frampton, avant-garde cinema and the promise of digital media, by Peter Lunenfeld
- The sciopticon in Sweden: history and literary imagination, by Vreni Hockenjos
- 'The largest picture ever executed by man': panoramas and the emergenceof large-screen and 360-degree technologies, by Alison Griffiths
- Remote control: contextualising a modern device, by Jan Holmberg
- Rethinking how TV came to the USA, by Douglas Gomery
- Touching content: virtual advertising and digital television's recalcitrantaudience, by William Boddy
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