Democracy, culture, and the voice of poetry
Author(s)
Bibliographic Information
Democracy, culture, and the voice of poetry
（The University Center for Human Values series）
Princeton University Press, c2002
- pbk.
Available at 6 libraries
Note
Includes index
Description and Table of Contents
- Volume
-
ISBN 9780691096179
Description
The place of poetry in modern democracy is no place, according to conventional wisdom. The poet, we hear, is a casualty of mass entertainment and prosaic public culture, banished to the artistic sidelines to compose variations on insipid themes for a dwindling audience. Robert Pinsky, however, argues that this gloomy diagnosis is as wrongheaded as it is familiar. Pinsky, whose remarkable career as a poet itself undermines the view, writes that to portray poetry and democracy as enemies is to radically misconstrue both. The voice of poetry, he shows, resonates with profound significance at the very heart of democratic culture.
Table of Contents
Acknowledgments ix I: Culture 1 II: Vocality 19 III: Self-Consciousness 30 IV: Performance 43 V: Social Presence 46 VI: Readers 55 VII: The Narcissistic and the Personal 64 VIII: Models of Culture 73 IX: Conclusion 79 Index of Names 95
- Volume
-
pbk. ISBN 9780691122632
Description
The place of poetry in modern democracy is no place, according to conventional wisdom. The poet, we hear, is a casualty of mass entertainment and prosaic public culture, banished to the artistic sidelines to compose variations on insipid themes for a dwindling audience. Robert Pinsky, however, argues that this gloomy diagnosis is as wrongheaded as it is familiar. Pinsky, whose remarkable career as a poet itself undermines the view, writes that to portray poetry and democracy as enemies is to radically misconstrue both. The voice of poetry, he shows, resonates with profound themes at the very heart of democratic culture. There is no one in America better to write on this topic. One of the country's most accomplished poets, Robert Pinsky served an unprecedented two terms as America's Poet Laureate (1997-2000) and led the immensely popular multimedia Favorite Poem Project, which invited Americans to submit and read aloud their favorite poems.
Pinsky draws on his experiences and on characteristically sharp and elegant observations of individual poems to argue that expecting poetry to compete with show business is to mistake its greatest democratic strength--its intimate, human scale--as a weakness. As an expression of individual voice, a poem implicitly allies itself with ideas about individual dignity that are democracy's bedrock, far more than is mass participation. Yet poems also summon up communal life. Even the most inward-looking work imagines a reader. And in their rhythms and cadences poems carry in their very bones the illusion and dynamic of call and response. Poetry, Pinsky writes, cannot help but mediate between the inner consciousness of the individual reader and the outer world of other people. As part of the entertainment industry, he concludes, poetry will always be small and overlooked. As an art--and one that is inescapably democratic--it is massive and fundamental.
Table of Contents
Acknowledgments ix I: Culture 1 II: Vocality 19 III: Self-Consciousness 30 IV: Performance 43 V: Social Presence 46 VI: Readers 55 VII: The Narcissistic and the Personal 64 VIII: Models of Culture 73 IX: Conclusion 79 Index of Names 95
by "Nielsen BookData"