Opera in theory and practice, image and myth
著者
書誌事項
Opera in theory and practice, image and myth
(The history of Italian opera, pt. 2 . systems ; v. 6)
University of Chicago Press, c2003
- : cloth
- タイトル別名
-
Teorie e tecniche immagini e fantasmi
大学図書館所蔵 全7件
  青森
  岩手
  宮城
  秋田
  山形
  福島
  茨城
  栃木
  群馬
  埼玉
  千葉
  東京
  神奈川
  新潟
  富山
  石川
  福井
  山梨
  長野
  岐阜
  静岡
  愛知
  三重
  滋賀
  京都
  大阪
  兵庫
  奈良
  和歌山
  鳥取
  島根
  岡山
  広島
  山口
  徳島
  香川
  愛媛
  高知
  福岡
  佐賀
  長崎
  熊本
  大分
  宮崎
  鹿児島
  沖縄
  韓国
  中国
  タイ
  イギリス
  ドイツ
  スイス
  フランス
  ベルギー
  オランダ
  スウェーデン
  ノルウェー
  アメリカ
注記
"Originally published as Storia dell'opera Italiana, vol. 6: Teorie e tecniche immagini e fantasmi, c1988 E.D.T. Edizioni di Torino." --T.p. verso
Includes bibliographical references and index
収録内容
- Poetics and polemics / Renato Di Benedetto
- The dramaturgy of Italian opera / Carl Dahlhaus
- Metrical and formal organization / Paolo Fabbri
- Opera and Italian literature / Marzio Pieri
- The dissemination and popularization of opera / Roberto Leydi
- Opera in Italian national culture / Giovanni Morelli
内容説明・目次
内容説明
The History of Italian Opera marks the first time a team of scholars has worked together to investigate the entire Italian operatic tradition, rather than limiting its focus to major composers and their masterworks. Including both musicologists and historians of other arts, the contributors approach opera not only as a distinctive musical genre but also as a form of extravagant theater and a complex social phenomenon.
This sixth volume in the series centers on the sociological and critical aspects of opera in Italy, considering the art in the context of an Italian literary and cultural canon rarely revealed in English and American studies. In its six chapters, contributors survey critics' changing attitudes toward opera over several centuries, trace the evolution of formal conventions among librettists, explore the historical relationships between opera and Italian literature, and examine opera's place in Italian popular and national culture. In perhaps the volume's most striking contribution, German scholar Carl Dahlouse offers his most important statement on the dramaturgy of opera.
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