The cognitive origins of art, religion and science
Author(s)
Bibliographic Information
The cognitive origins of art, religion and science
(The prehistory of the mind / [Steven Mithen])
Thames and Hudson, 1996
Available at 4 libraries
  Aomori
  Iwate
  Miyagi
  Akita
  Yamagata
  Fukushima
  Ibaraki
  Tochigi
  Gunma
  Saitama
  Chiba
  Tokyo
  Kanagawa
  Niigata
  Toyama
  Ishikawa
  Fukui
  Yamanashi
  Nagano
  Gifu
  Shizuoka
  Aichi
  Mie
  Shiga
  Kyoto
  Osaka
  Hyogo
  Nara
  Wakayama
  Tottori
  Shimane
  Okayama
  Hiroshima
  Yamaguchi
  Tokushima
  Kagawa
  Ehime
  Kochi
  Fukuoka
  Saga
  Nagasaki
  Kumamoto
  Oita
  Miyazaki
  Kagoshima
  Okinawa
  Korea
  China
  Thailand
  United Kingdom
  Germany
  Switzerland
  France
  Belgium
  Netherlands
  Sweden
  Norway
  United States of America
-
Hokkaido University, Library, Graduate School of Science, Faculty of Science and School of Science研究室
153.01/M6969080061960
Note
Includes bibliographical references (p.262-283) and index
Description and Table of Contents
Description
This study applies the insights of archaeology to some of the most fundamental and contentious issues in human evolution. Since the 1980s a modular concept of the mind has been put forward which likens the mind to a Swiss Army knife with its collection of specialist blades and tools - the mind is seen as a collection of specialized "intelligences" or modules, each suited for a specific purpose. The study seeks to answer the questions raised by this new theory such as "How many modules are there and how do they connect?", "How can one account for human creativity and imagination?" and "How could such a mind have evolved?". It argues that only archaeology can provide the long-term perspective necessary to understand the origins of the modern mind. It shows how the world of our ancestors has shaped the modern mind and offers a challenging explanation of what it means to be human.
by "Nielsen BookData"