Casting off the shackles of family : Ibsen's Nora figure in modern Chinese literature, 1918-1942
Author(s)
Bibliographic Information
Casting off the shackles of family : Ibsen's Nora figure in modern Chinese literature, 1918-1942
(Studies on themes and motifs in literature, v. 31)
Peter Lang, 2004
Available at 2 libraries
  Aomori
  Iwate
  Miyagi
  Akita
  Yamagata
  Fukushima
  Ibaraki
  Tochigi
  Gunma
  Saitama
  Chiba
  Tokyo
  Kanagawa
  Niigata
  Toyama
  Ishikawa
  Fukui
  Yamanashi
  Nagano
  Gifu
  Shizuoka
  Aichi
  Mie
  Shiga
  Kyoto
  Osaka
  Hyogo
  Nara
  Wakayama
  Tottori
  Shimane
  Okayama
  Hiroshima
  Yamaguchi
  Tokushima
  Kagawa
  Ehime
  Kochi
  Fukuoka
  Saga
  Nagasaki
  Kumamoto
  Oita
  Miyazaki
  Kagoshima
  Okinawa
  Korea
  China
  Thailand
  United Kingdom
  Germany
  Switzerland
  France
  Belgium
  Netherlands
  Sweden
  Norway
  United States of America
Note
Includes bibliographical references and index
Description and Table of Contents
Description
Nora, a character from Henrik Ibsen's play A Doll House, was a model for liberal-thinking Chinese women during the May Fourth Era of the 1920s and 1930s. Nora-like figures appeared often in modern Chinese literature to illustrate the issue of women's emancipation. Casting Off the Shackles of Family explores the reception and transformation of the Nora theme in the works of Lu Hsun, Mao Tun, Ting Ling, and other May Fourth writers. In particular, it uses female heroic journey theories to trace women's pursuit of independence and freedom in modern China.
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