Film, form and phantasy : Adrian Stokes and film aesthetics
著者
書誌事項
Film, form and phantasy : Adrian Stokes and film aesthetics
（Language, discourse, society）
Palgrave Macmillan, 2004
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注記
Includes bibliographical references and index
内容説明・目次
内容説明
This book explores the ideas of the neglected English aesthetician and art historian, Adrian Stokes. Stokes's Kleinian-based concepts of carving and modelling are analysed in relation to film, arguing that they replace the traditional notions of realism and montage in film theory and provide a set of aesthetics which encompasses mainstream and 'art' cinema. This Kleinian psychoanalytic approach is offered to the films of Eisenstein, Rossellini, Hitchcock and others.
目次
Introduction PART ONE: REPRESENTATION, EXPRESSION AND PHANTASY Representation, Depiction and Portrayal in Film Expression, Projection and Style in Film Phantasy PART TWO: ADRIAN STOKES - CARVING AND MODELLING Stokes: The Carving and Modelling Modes A Stokesian and Kleinian Interpretation PART THREE: MONTAGE AND REALISM IN FILM The Carving Mode: Rossellini, Antonioni and Dreyer Montage and Modelling Values: Eisenstein Carving Values and John Ford Modelling Values and Alfred Hitchcock Modelling in Light and Dark Conclusion Bibliography Index
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