Understanding movies
著者
書誌事項
Understanding movies
Pearson Prentice Hall, c2005
10th ed
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注記
Includes bibliographical references and index
内容説明・目次
内容説明
For undergraduate courses in Introduction to Film, Introduction to Cinema, and Film Appreciation.
Understanding Movies is the best selling film text on the market!
Designed to help students analyze movies with precision and technical sophistication, this book focuses on formalism-how the languages of the film (e.g., camera work, editing, lighting, story, photography, etc.) create meaning. Building on the same principle of organization as previous editions-structuring chapters around the elements of film-the new edition of this best seller offers a lavish use of color, printed on high-quality paper and has been updated to integrate recent films, developments in filmmaking, and personalities in the field. A CD-ROM of interviews with filmmakers is available in a special value package.
目次
(NOTE: Each chapter begins with an Overview and concludes with a Further Reading section and Chapter Ending Questions.)
1. Photography.
Realism and Formalism. The Shots. The Angles. Light and Dark. Color. Lenses, Filters, Stocks, The Special Effects. The Cinematographer.
2. Mise en Scene.
The Frame. Composition and Design. Territorial Space. Proxemic Patterns. Open and Closed Forms.
3. Movement.
Kinetics. The Moving Camera. Mechanical Distortions of Movement.
4. Editing.
Continuity. D.W. Griffith and Classical Cutting. Soviet Montage and the Formalist Tradition. Andre Bazin and the Tradition of Realism. Hitchcock's North by Northwest: Storyboard Version.
5. Sound.
Historical Background. Sound Effects. Music. Musicals. Spoken Language.
6. Acting.
Stage and Screen Acting. The American Star System. Styles of Acting. Casting.
7. Drama.
Time, Space, and Language. The Director. Settings and Decor. Costumes and Makeup.
8. Story.
Narratology. The Spectator. The Classical Paradigm. Realistic Narratives. Formalistic Narratives. Nonfictional Narratives. Genre and Myth.
9. Writing.
The Screenwriter. The Screenplay. North by Northwest: Reading Version. Figurative Comparisons. Point of View. Literary Adaptations.
10. Ideology.
The Left-Center-Right Model. Culture, Religion, and Ethnicity. Feminism. Gay Liberation. Tone.
11. Critique (formerly Theory).
Types of Critiques. Theories of Realism. Formalist Film Theories. The Auteur Theory. Eclectic and Synthetic Approaches. Structuralism and Semiology. Historiography.
12. Synthesis: Citizen Kane .
Photography. Mise en Scene. Movement. Editing. Sound. Acting. Drama. Story. Writing. Ideology. Critique.
Glossary.
Index.
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