Shostakovich and his world
著者
書誌事項
Shostakovich and his world
(The Bard Music Festival series)
Princeton University Press, 2004
- : cloth
- : pbk
並立書誌 全1件
大学図書館所蔵 全6件
  青森
  岩手
  宮城
  秋田
  山形
  福島
  茨城
  栃木
  群馬
  埼玉
  千葉
  東京
  神奈川
  新潟
  富山
  石川
  福井
  山梨
  長野
  岐阜
  静岡
  愛知
  三重
  滋賀
  京都
  大阪
  兵庫
  奈良
  和歌山
  鳥取
  島根
  岡山
  広島
  山口
  徳島
  香川
  愛媛
  高知
  福岡
  佐賀
  長崎
  熊本
  大分
  宮崎
  鹿児島
  沖縄
  韓国
  中国
  タイ
  イギリス
  ドイツ
  スイス
  フランス
  ベルギー
  オランダ
  スウェーデン
  ノルウェー
  アメリカ
注記
Includes bibliographical references and index
収録内容
- Shostakovich : letters to his mother, 1923-1927 / selected by Dmitrii Frederiks and Rosa Sadykhova ; introduced, and with commentary, by Rosa Sadykhova ; translated by Rolanda Norton
- Response of Shostakovich to a questionnaire on the psychology of the creative process / prepared by Roman Ilich Gruber ; edited and annotated by staff researchers of the Glinka Museum of Musical Culture, Moscow ; translated, with additional notes, by Malcolm Hamrick Brown
- Stalin and Shostakovich : letters to a "friend" / Leonid Maximenkov
- "The phenomenon of the Seventh" : a documentary essay on Shostakovich's "War" symphony / Christopher H. Gibbs
- Shostakovich as industrial saboteur : observations on The bolt / Simon Morrison
- The nose and the Fourteenth symphony : an affinity of opposites / Levon Hakobian ; translated by Dimitri Shapovalov
- Shostakovich and the Russian literary tradition / Caryl Emerson
- Fried chicken in the bird-cherry trees / Gerard McBurney
- Shostakovich and his pupils / David Fanning
- Shostakovich's "twelve-tone" compositions and the politics and practice of Soviet serialism / Peter J. Schmelz
- Listening to Shostakovich / Leon Botstein
内容説明・目次
内容説明
Dmitri Shostakovich (1906-1975) has a reputation as one of the leading composers of the twentieth century. But the story of his controversial role in history is still being told, and his full measure as a musician still being taken. This collection of essays goes far in expanding the traditional purview of Shostakovich's world, exploring the composer's creativity and art in terms of the expectations - historical, cultural, and political - that forged them. The collection contains documents that appear for the first time in English. Letters that young "Miti" wrote to his mother offer a glimpse into his dreams and ambitions at the outset of his career. Shostakovich's answers to a 1927 questionnaire reveal much about his formative tastes in the arts and the way he experienced the creative process. His previously unknown letters to Stalin shed new light on Shostakovich's position within the Soviet artistic elite. The essays delve into neglected aspects of Shostakovich's formidable legacy.
Simon Morrison provides an in-depth examination of the choreography, costumes, decor, and music of his ballet "The Bolt" and Gerard McBurney of the musical references, parodies, and quotations in his operetta Moscow, Cheryomushki. David Fanning looks at Shostakovich's activities as a pedagogue and the mark they left on his students' and his own music. Peter J. Schmelz explores the composer's late-period adoption of twelve-tone writing in the context of the distinctively "Soviet" practice of serialism. Other contributors include Caryl Emerson, Christopher H. Gibbs, Levon Hakobian, Leonid Maximenkov, and Rosa Sadykhova. In a provocative concluding essay, Leon Botstein reflects on the different ways listeners approach the music of Shostakovich.
「Nielsen BookData」 より