Savage reprisals : Bleak house, Madame Bovary, Buddenbrooks
著者
書誌事項
Savage reprisals : Bleak house, Madame Bovary, Buddenbrooks
（The Norton lecture series）
W.W. Norton, 2003
- :hbk
- :pbk
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注記
Includes bibliographical references (p. [177]-187) and index
内容説明・目次
- 巻冊次
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:hbk ISBN 9780393051186
内容説明
A revelatory work that examines the intricate relationship between history and literature, truth and fictionwith some surprising conclusions. Focusing on three literary masterpiecesCharles Dickens's Bleak House (1853), Gustave Flaubert's Madame Bovary (1857), and Thomas Mann's Buddenbrooks (1901)Peter Gay, a leading cultural historian, demonstrates that there is more than one way to read a novel. Typically, readers believe that fiction, especially the Realist novels that dominated Western culture for most of the nineteenth century and beyond, is based on historical truth and that great novels possess a documentary value. That trust, Gay brilliantly shows, is misplaced; novels take their own path to reality. Using Dickens, Flaubert, and Mann as his examples, Gay explores their world, their craftsmanship, and their minds. In the process, he discovers that all three share one overriding quality: a resentment and rage against the society that sustains the novel itself. Using their stylish writing as a form of revenge, they deal out savage reprisals, which have become part of our Western literary canon. Based on the W. W. Norton/New York Public Library Center for Scholars and Writers Lectures. 4 b/w illustrations.
- 巻冊次
-
:pbk ISBN 9780393325096
内容説明
Focusing on three literary masterpieces-Charles Dickens's Bleak House (1853), Gustave Flaubert's Madame Bovary (1857), and Thomas Mann's Buddenbrooks (1901)-Peter Gay, a leading cultural historian, demonstrates that there is more than one way to read a novel.
Typically, readers believe that fiction, especially the Realist novels that dominated Western culture for most of the nineteenth century and beyond, is based on historical truth and that great novels possess a documentary value. That trust, Gay brilliantly shows, is misplaced; novels take their own path to reality. Using Dickens, Flaubert, and Mann as his examples, Gay explores their world, their craftsmanship, and their minds. In the process, he discovers that all three share one overriding quality: a resentment and rage against the society that sustains the novel itself. Using their stylish writing as a form of revenge, they deal out savage reprisals, which have become part of our Western literary canon. A New York Times Notable Book and a Best Book of 2002.
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