Reflecting truth : Japanese photography in the nineteenth century
Author(s)
Bibliographic Information
Reflecting truth : Japanese photography in the nineteenth century
Hotei, c2004
Available at 29 libraries
  Aomori
  Iwate
  Miyagi
  Akita
  Yamagata
  Fukushima
  Ibaraki
  Tochigi
  Gunma
  Saitama
  Chiba
  Tokyo
  Kanagawa
  Niigata
  Toyama
  Ishikawa
  Fukui
  Yamanashi
  Nagano
  Gifu
  Shizuoka
  Aichi
  Mie
  Shiga
  Kyoto
  Osaka
  Hyogo
  Nara
  Wakayama
  Tottori
  Shimane
  Okayama
  Hiroshima
  Yamaguchi
  Tokushima
  Kagawa
  Ehime
  Kochi
  Fukuoka
  Saga
  Nagasaki
  Kumamoto
  Oita
  Miyazaki
  Kagoshima
  Okinawa
  Korea
  China
  Thailand
  United Kingdom
  Germany
  Switzerland
  France
  Belgium
  Netherlands
  Sweden
  Norway
  United States of America
Note
Includes bibliographical notes and index
"Originally presented at an international conference, 'Reflecting truth: Japanese photography in the nineteenth century', held on 2 November 2002 in Norwich, England."--Introd. and acknowledgements
Description and Table of Contents
Description
This publication shows how scholarly investigation of Japanese photography in recent years has entered an important transitional stage - moving beyond its focus on the introduction of new discoveries and descriptions of collections, to a more sophisticated investigation of photography in historical and cultural contexts. At one time marginalised as either a practical technique or amateur art form, photography has now earned full recognition as an area of scholarly inquiry. It now invites reflection on issues of visuality, technology, and national identity in Japanese art during its transition to modernity as well as in contemporary society.
Contributions by Himeno Junichi (on the early development of photography in Japan), Sebastian Dobson (focussing on the colourful figure of Felice Beato), Luke Gartlan (on Baron Raimond von Stillfried-Ratenicz), Allen Hockley (on photographic albums produced by commercial studios in the 1880s and 1890s), Kinoshita Naoyuki (exploring the tradition of war portraiture in Japan) and Mikiko Hirayama (describing the transition from the pioneering stages of photography in Japan into the modern era).
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