Poetic development and the romantic self in exile in Byron and Shelley

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Poetic development and the romantic self in exile in Byron and Shelley

Kei Nijibayashi

(Mellen studies in literature, Romantic reassessment ; v. 161)

Edwin Mellen Press, c2004

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Note

Includes bibliographical references (p. [217]-232) and index

Description and Table of Contents

Description

The two Romantic poets have such similar biographies that most comparative studies of them draw heavily on the few biographical differences, says Nijibayashi (human sciences, Kyushu Institute of Technology, Kitakyushu, Japan), and neglect a careful analysis of how their actual work differs. He aspires to correct the imbalance and so offer a general

Table of Contents

  • Preface
  • Introduction: Questioning "The Spirit of the Age"
  • 1. Julian and Maddalo: Theory and Experience in Exile
  • 2. Narratives of Imaginative Exile: Byron's Transformation of the East
  • Shelley's Transcendence from the East
  • 3. Strategies for the Stage: The Irony of Idealism in Shelley's The Cenci
  • The Irony of Heroism in Byron's Historical Dramas
  • 4. Prometheus Unbound: The Cosmic Development of the Poet Figure
  • 5. Poetic Self-Completion in Don Juan
  • Conclusion: Answering to "The Spirit of the Age"
  • Appendix
  • Bibliography
  • Index

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