The generation of plays : Yorùbá popular life in theater
著者
書誌事項
The generation of plays : Yorùbá popular life in theater
Indiana University Press, c2000
- : pbk
並立書誌 全1件
大学図書館所蔵 全3件
  青森
  岩手
  宮城
  秋田
  山形
  福島
  茨城
  栃木
  群馬
  埼玉
  千葉
  東京
  神奈川
  新潟
  富山
  石川
  福井
  山梨
  長野
  岐阜
  静岡
  愛知
  三重
  滋賀
  京都
  大阪
  兵庫
  奈良
  和歌山
  鳥取
  島根
  岡山
  広島
  山口
  徳島
  香川
  愛媛
  高知
  福岡
  佐賀
  長崎
  熊本
  大分
  宮崎
  鹿児島
  沖縄
  韓国
  中国
  タイ
  イギリス
  ドイツ
  スイス
  フランス
  ベルギー
  オランダ
  スウェーデン
  ノルウェー
  アメリカ
注記
Bibliography: p. [463]-473
Includes index
内容説明・目次
内容説明
From the 1940s to the 1980s, Yoruba popular theatre was a lively and important genre. Today, travelling theatre companies have virtually disappeared due to the influence of radio, television, and other forms of mass communication in Nigeria. In "The Generation of Plays", Karin Barber recounts her experience while she was on tour with the Oyin Adejobi Company. Drawing on archival sources as well as extensive interviews and transcriptions of plays, Barber uncovers the pulse points of generation, production, and improvisation that merge when a Yoruba popular drama is successfully brought to the stage. Barber reveals the personalities of the principal actors, how they create plays - from the germ of an idea through the logistics of rehearsal and staging - how a play is made meaningful to its audience, how a play changes and develops after several productions or according to the sensibilities of its viewers. The expanding role of popular drama as a television form is also considered. This rich and detailed narrative illuminates notions of gender, language, politics, and self as they are expressed in popular cultural forms.
It affords a unique view of the social and cultural perspectives of the actors and audiences involved in a flourishing and vital enterprise.
目次
Preliminary Table of Contents: Acknowledgments A Note on Orthography 1. Introduction 2. The History of a Founder, a Genre, and a Public 3. The Actors 4. Getting a Show on the Road 5. The Generation of Plays 6. The Filling Out a Play 7. Audiences 8. Television, Film, and Video 9. The World of the Work: Place, Gender, and Politics 10. Literacy, "Enlightenment," and "Tradition" 11. Work, Destiny, and Self-making 12. Language and the Moral Public 13. Conclusion: The Lessons of Example Appendix 1: Synopses Appendix 2: Yoruba Text of a Sene from Taking Care of K nl? Notes Bibliography Index
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