The generation of plays : Yorùbá popular life in theater
Author(s)
Bibliographic Information
The generation of plays : Yorùbá popular life in theater
Indiana University Press, c2000
- : pbk
Related Bibliography 1 items
Available at 3 libraries
  Aomori
  Iwate
  Miyagi
  Akita
  Yamagata
  Fukushima
  Ibaraki
  Tochigi
  Gunma
  Saitama
  Chiba
  Tokyo
  Kanagawa
  Niigata
  Toyama
  Ishikawa
  Fukui
  Yamanashi
  Nagano
  Gifu
  Shizuoka
  Aichi
  Mie
  Shiga
  Kyoto
  Osaka
  Hyogo
  Nara
  Wakayama
  Tottori
  Shimane
  Okayama
  Hiroshima
  Yamaguchi
  Tokushima
  Kagawa
  Ehime
  Kochi
  Fukuoka
  Saga
  Nagasaki
  Kumamoto
  Oita
  Miyazaki
  Kagoshima
  Okinawa
  Korea
  China
  Thailand
  United Kingdom
  Germany
  Switzerland
  France
  Belgium
  Netherlands
  Sweden
  Norway
  United States of America
Note
Bibliography: p. [463]-473
Includes index
Description and Table of Contents
Description
From the 1940s to the 1980s, Yoruba popular theatre was a lively and important genre. Today, travelling theatre companies have virtually disappeared due to the influence of radio, television, and other forms of mass communication in Nigeria. In "The Generation of Plays", Karin Barber recounts her experience while she was on tour with the Oyin Adejobi Company. Drawing on archival sources as well as extensive interviews and transcriptions of plays, Barber uncovers the pulse points of generation, production, and improvisation that merge when a Yoruba popular drama is successfully brought to the stage. Barber reveals the personalities of the principal actors, how they create plays - from the germ of an idea through the logistics of rehearsal and staging - how a play is made meaningful to its audience, how a play changes and develops after several productions or according to the sensibilities of its viewers. The expanding role of popular drama as a television form is also considered. This rich and detailed narrative illuminates notions of gender, language, politics, and self as they are expressed in popular cultural forms.
It affords a unique view of the social and cultural perspectives of the actors and audiences involved in a flourishing and vital enterprise.
Table of Contents
Preliminary Table of Contents: Acknowledgments A Note on Orthography 1. Introduction 2. The History of a Founder, a Genre, and a Public 3. The Actors 4. Getting a Show on the Road 5. The Generation of Plays 6. The Filling Out a Play 7. Audiences 8. Television, Film, and Video 9. The World of the Work: Place, Gender, and Politics 10. Literacy, "Enlightenment," and "Tradition" 11. Work, Destiny, and Self-making 12. Language and the Moral Public 13. Conclusion: The Lessons of Example Appendix 1: Synopses Appendix 2: Yoruba Text of a Sene from Taking Care of K nl? Notes Bibliography Index
by "Nielsen BookData"