The righting of passage : perceptions of change after modernity
著者
書誌事項
The righting of passage : perceptions of change after modernity
(Contemporary ethnography series)
University of Pennsylvania Press, c2004
大学図書館所蔵 全3件
  青森
  岩手
  宮城
  秋田
  山形
  福島
  茨城
  栃木
  群馬
  埼玉
  千葉
  東京
  神奈川
  新潟
  富山
  石川
  福井
  山梨
  長野
  岐阜
  静岡
  愛知
  三重
  滋賀
  京都
  大阪
  兵庫
  奈良
  和歌山
  鳥取
  島根
  岡山
  広島
  山口
  徳島
  香川
  愛媛
  高知
  福岡
  佐賀
  長崎
  熊本
  大分
  宮崎
  鹿児島
  沖縄
  韓国
  中国
  タイ
  イギリス
  ドイツ
  スイス
  フランス
  ベルギー
  オランダ
  スウェーデン
  ノルウェー
  アメリカ
注記
Includes bibliographical references (p. [115]-122) and index
内容説明・目次
内容説明
Today, much theory in the social sciences assumes that the acceptance of experience as inevitably unruly means that it is characterized by constant change and even by chaos. In such a world, we are told, the unordered qualities of daily living create so much uncertainty that identity itself becomes unstable. But this view, David Napier argues, begs a fundamental question: if contemporary life is as flexible and unstructured as, for example, postmodernists maintain, and we, in turn, are products of such a world, how might any of us order our thinking enough to recognize what is meaningful in life, let alone describe our experiences in ways that might have meaning for others?
If we are truly the products of modernity, Napier says, we must either accept our inability to structure and shape our own sensations or, alternately, argue for some form of humanism that sees a struggling, existential self living unsettled within its unstructured environment. Were either circumstance universally the case, the world would, of course, be a rather different place; for there would be no shared literature called "postmodern," and there would be no one to dissect such experience for us: no authors with coherent identities, no theories that could be communicated, no books bought or read, no university departments dedicated to the industry of chaos. In short, there would be no ordered space for interpersonal understanding in such a world. This is the premise that informs The Righting of Passage.
In this challenging book Napier offers a novel argument that accounts for diffuse and flexible notions of the self while also illustrating how a coherent, communicating self persists amid such apparent instability. This he does by arguing something entirely counterintuitive to both modernist and postmodernist positions-namely, that modernity's increasing separation of embodiment from meaning not only slows down human transformation but attenuates human growth by encouraging us to perceive risk as largely pathological. Today, the combined forces of stress management, depth psychology, therapeutic writing, dislocated meaning, and of institutional conformity work together to produce a reduction-not a proliferation-of change in human life.
目次
Preface
1. Dressed to Kill
2. Self and Other in an "Amodern" World
3. The Writing of Passage
4. Running in Place
5. The All-White Elephant
Epilogue: "Discountability" and Transcendence
Notes
Bibliography
Index
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