Diasporas and interculturalism in Asian performing arts : translating traditions
著者
書誌事項
Diasporas and interculturalism in Asian performing arts : translating traditions
(Curzon-IIAS Asian studies series)
RoudledgeCurzon, 2005
- : pbk
大学図書館所蔵 全14件
  青森
  岩手
  宮城
  秋田
  山形
  福島
  茨城
  栃木
  群馬
  埼玉
  千葉
  東京
  神奈川
  新潟
  富山
  石川
  福井
  山梨
  長野
  岐阜
  静岡
  愛知
  三重
  滋賀
  京都
  大阪
  兵庫
  奈良
  和歌山
  鳥取
  島根
  岡山
  広島
  山口
  徳島
  香川
  愛媛
  高知
  福岡
  佐賀
  長崎
  熊本
  大分
  宮崎
  鹿児島
  沖縄
  韓国
  中国
  タイ
  イギリス
  ドイツ
  スイス
  フランス
  ベルギー
  オランダ
  スウェーデン
  ノルウェー
  アメリカ
注記
Includes bibliographical references and index
内容説明・目次
内容説明
In an age of globalization, performance is increasingly drawn from intercultural creativity and located in multicultural settings. This volume is the first to focus on the performing arts of Asian diasporas in the context of modernity and multiculturalism. The essays locate the contemporary performing arts as a discursive field in which the boundaries between tradition and translation, and authenticity and hybridity are redefined and negotiated to create a multitude of meaning and aesthetics in global and local contexts.
With contributions from scholars of Asian studies, theatre studies, anthropology, cultural studies, dance ethnology and musicology, this truly interdisciplinary work covers every aspect of the sociology of performance of the Asian diasporas.
目次
Acknowledgements Notes on Contributors Introduction Part 1: Asian Diasporas and Performing Arts 1. Power, Identity, Modernity and the Performing Arts among Diasporas: Background Ideas from the Chinese Case 2. Morphing Chineseness: The Changing Image of Chinese Music Clubs in Singapore 3. Community, Identity and Performing Arts: The Korean Diaspora in China and the former Soviet Union 4. Dancing in the Tomb of Samba: Japanese-Brazilian Presence/Absence in Sao Paulo Carnival 5. Noisy Intersection: Ethnicity, Authenticity and Ownership in Asian American Taiko 6. Arangetrams and Manufacturing Identity: The Changing Role of a Bharata Natyam Dancer's Solo Debut in the Context of the Diaspora 7. South Asian Music in Britain 8. Idealization and Changes in the Music of the Cambodian Diaspora 9. Nagi Music and Community: Belonging and Displacement in Larantuka, Eastern Indonesia Part 2: InterculturalPerformances and Transnational Audiences 10. Jingju (Beijing/Peking Opera) as International Art and as Transnational Root of Cultural Identification: Process of Creation and Reception in Shanghai, Nanjing and Honolulu 11. 'Mirrors' of West and 'Mirrors' of East: Elements of Gagaku in Post-War Art Music 12. Theatrical Collaboration in the Age of Globalization: The Gekidan Kaitaisha-NYID Intercultural Collaboration Project Afterword Index
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