Cobra : the last avant-garde movement of the twentieth century
著者
書誌事項
Cobra : the last avant-garde movement of the twentieth century
Lund Humphries, 2004
大学図書館所蔵 全7件
  青森
  岩手
  宮城
  秋田
  山形
  福島
  茨城
  栃木
  群馬
  埼玉
  千葉
  東京
  神奈川
  新潟
  富山
  石川
  福井
  山梨
  長野
  岐阜
  静岡
  愛知
  三重
  滋賀
  京都
  大阪
  兵庫
  奈良
  和歌山
  鳥取
  島根
  岡山
  広島
  山口
  徳島
  香川
  愛媛
  高知
  福岡
  佐賀
  長崎
  熊本
  大分
  宮崎
  鹿児島
  沖縄
  韓国
  中国
  タイ
  イギリス
  ドイツ
  スイス
  フランス
  ベルギー
  オランダ
  スウェーデン
  ノルウェー
  アメリカ
内容説明・目次
内容説明
The radical post-war Cobra group of artists and poets (1948-51) took their name from the three cities where the main participants lived: Copenhagen, Brussels and Amsterdam. The group included some of the most important European artists of the second half of the twentieth century - Pierre Alechinsky, Karel Appel, Constant, Asger Jorn and Carl-Henning Pedersen - who collaborated in a search for a universal artistic language. Inspired by the creative impulse which they found in the art of so-called primitives, of children and of the insane, the group made idealistic, Marxist-inspired plans for a future in which a new folk art would be created. Cobra is the first detailed survey of the movement in English and provides a fascinating picture of this vibrant group of artists. Willemijn Stokvis reveals the different impact which Cobra had in Belgium, Denmark and Holland, and places the movement within the wider context of twentieth-century art, showing how it emerged from Surrealism and Expressionism and found a continuation in the politically engaged artistic movements of the 1950s and 1960s.
The book reproduces an impressive selection of art work by Cobra artists in colour alongside black-and-white photographs of key archival material, and provides an essential introduction to this accessible and popular art.
目次
- Contents: Foreword
- Introduction
- Prelude
- The Cobra Movement
- The Cobra Language
- Cobra and the work of its members
- Conclusion
- Overview of important dates
- Bibliography
- Index.
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