Conversations with John le Carré
著者
書誌事項
Conversations with John le Carré
(Literary conversations series / Peggy Whitman Prenshaw, general editor)
University Press of Mississippi, c2004
- : cloth
- : pbk
大学図書館所蔵 全14件
  青森
  岩手
  宮城
  秋田
  山形
  福島
  茨城
  栃木
  群馬
  埼玉
  千葉
  東京
  神奈川
  新潟
  富山
  石川
  福井
  山梨
  長野
  岐阜
  静岡
  愛知
  三重
  滋賀
  京都
  大阪
  兵庫
  奈良
  和歌山
  鳥取
  島根
  岡山
  広島
  山口
  徳島
  香川
  愛媛
  高知
  福岡
  佐賀
  長崎
  熊本
  大分
  宮崎
  鹿児島
  沖縄
  韓国
  中国
  タイ
  イギリス
  ドイツ
  スイス
  フランス
  ベルギー
  オランダ
  スウェーデン
  ノルウェー
  アメリカ
注記
Includes index
内容説明・目次
内容説明
John le Carre (b. 1931) is the pen name of David Cornwell. Under that pseudonym he has become the leading writer of contemporary spy thrillers. Tremendously popular and deeply influential, his novels feature a level of psychological depth and narrative complexity that makes them as rewarding as the most highly-touted literary fiction. Weaving incisive political commentary, razor-sharp satire, and suspense, his work reflects upon and dissects both Cold War anxieties and the complications of social relationships. Several of his novels-including The Spy Who Came in from the Cold, The Russia House, and The Tailor of Panama-have been adapted into award-winning movies. In Conversations with John le Carre, the acclaimed writer talks about his craft, the nature of language, the literature that he loves, and the ways in which his own life influences the creation of, and characters within, his novels. He worked for the British Foreign Office in the 1960s, and although his works are dazzlingly informed about global politics, le Carre's voice is distinctively British. His love of language, particularly the ways in which it can reveal or conceal thought and action, is evident in every piece here. In interviews with George Plimpton, Melvyn Bragg, and others, le Carre proves himself to be quick witted, engaging, and deeply passionate. Though often self-deprecating in his humor, le Carre reveals his commitment to the spy thriller and tells us why he thinks it is just as capable of exploring human consciousness as any other literary genre. Matthew J. Bruccoli is Jefferies Professor of English at the University of South Carolina. He has written or edited thirty volumes on F. Scott Fitzgerald, including the standard biography, Some Sort of Epic Grandeur. Judith S. Baughman works in the department of English at the University of South Carolina. With Bruccoli she is co-editor of Conversations with F. Scott Fitzgerald (University Press of Mississippi).
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