Out in public : configurations of women's bodies in nineteenth-century America
Author(s)
Bibliographic Information
Out in public : configurations of women's bodies in nineteenth-century America
University of North Carolina Press, c2004
- : pbk
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Note
Includes bibliographical references and index
Contents of Works
- The most thrilling sensations : Anna Cora Mowatt and sensational womanhood
- Woman goes forth to battle with Goliath : Mary Baker Eddy, medical science, and sentimental invalidism
- As strong as any man : Sojourner Truth's tall-tale embodiment
- The supreme right of American citizenship : Ida B. Wells, the lynch narrative, and the production of the American body
- We have hardly had time to mend our pen : Sarah Hale, Godey's lady's book, and the body as print
Description and Table of Contents
Description
Images of the corseted, domestic, white middle-class female and the black woman as slave mammy or jezebel loom large in studies of nineteenth-century womanhood, despite recent critical work exploring alternatives to those images. In Out in Public, Alison Piepmeier focuses on women's bodies as a site for their public self-construction. Rather than relying on familiar binaries such as public/private and victim/agent, Piepmeier presents women's public embodiment as multiple, transitional, strategic, playful, and contested. Piepmeier looks closely at the lives and works of actress and playwright Anna Cora Mowatt (1819-1871), Christian Science founder Mary Baker Eddy (1821-1910), abolitionist and feminist orator Sojourner Truth (1797-1883), antilynching journalist Ida B. Wells (1862-1931), and Godey's Lady's Book editor Sarah Josepha Hale (1788-1879). Piepmeier's analysis of these women places their written documents in conjunction with salient cultural contexts, including freak shows, scientific writing, tall tales, and popular visual images of athletic women. By destabilizing and complicating traditional binary categories, Piepmeier makes culturally obscured or unreadable aspects of women's lives visible, offering a more complete understanding of nineteenth-century female corporeality.
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