The great festivals of colonial Mexico City : performing power and identity
著者
書誌事項
The great festivals of colonial Mexico City : performing power and identity
(Diálogos)
University of New Mexico Press, c2004
- : pbk
- : cloth
大学図書館所蔵 全3件
  青森
  岩手
  宮城
  秋田
  山形
  福島
  茨城
  栃木
  群馬
  埼玉
  千葉
  東京
  神奈川
  新潟
  富山
  石川
  福井
  山梨
  長野
  岐阜
  静岡
  愛知
  三重
  滋賀
  京都
  大阪
  兵庫
  奈良
  和歌山
  鳥取
  島根
  岡山
  広島
  山口
  徳島
  香川
  愛媛
  高知
  福岡
  佐賀
  長崎
  熊本
  大分
  宮崎
  鹿児島
  沖縄
  韓国
  中国
  タイ
  イギリス
  ドイツ
  スイス
  フランス
  ベルギー
  オランダ
  スウェーデン
  ノルウェー
  アメリカ
注記
Bibliography: p. 193-216
Includes index
内容説明・目次
内容説明
This innovative work of cultural history examines the function of public rituals in colonial Mexico City. Festivals were a defining characteristic of life in the capital. For most of the colonial period, inhabitants could witness as many as 100 religious and civil celebrations in a year. The largest of these events, both civil and religious, were sponsored by the authorities and were crucial means to embody political and social concepts. The first European public rituals were introduced immediately after the conquest of the Aztec capital. Spanish priests seeking to evangelise the native population introduced Catholic festivals, and civil authorities sponsored celebrations designed to glorify the Spanish empire. Spectacle was one tool in an arsenal of colonising agents, and over time the growing diversity of the population made festival statecraft all the more important, as government-sponsored revelry attempted to promote shared histories and values among diverse and potentially dangerous groups. Festivals organisers developed a highly sophisticated message embedded within the celebrations that delineated the principles of leadership and the duties of both rulers and vassals. The pervasiveness of festivals and the power of the political message associated with them created possibilities for individuals to assess and participate in a larger discussion of good governance in the colony.
「Nielsen BookData」 より