Art of the Osage
著者
書誌事項
Art of the Osage
Saint Louis Art Museum , University of Washington Press, c2004
- : cloth
- : pbk
大学図書館所蔵 全1件
  青森
  岩手
  宮城
  秋田
  山形
  福島
  茨城
  栃木
  群馬
  埼玉
  千葉
  東京
  神奈川
  新潟
  富山
  石川
  福井
  山梨
  長野
  岐阜
  静岡
  愛知
  三重
  滋賀
  京都
  大阪
  兵庫
  奈良
  和歌山
  鳥取
  島根
  岡山
  広島
  山口
  徳島
  香川
  愛媛
  高知
  福岡
  佐賀
  長崎
  熊本
  大分
  宮崎
  鹿児島
  沖縄
  韓国
  中国
  タイ
  イギリス
  ドイツ
  スイス
  フランス
  ベルギー
  オランダ
  スウェーデン
  ノルウェー
  アメリカ
注記
Exhibition catalogue
Place: Saint Louis Art Museum , 2004.3.13-8.8
Includes bibliographical references (p. 211-215) and index (p. 216-220)
内容説明・目次
内容説明
The Osage people, who have flourished in several locations and within a multiplicity of environments in the American Midwest, have infused their arts with an aesthetic vigor bound to an exquisite simplicity. Art of the Osage, the first comprehensive presentation of the art of the Osage people, explores the interconnections among their material culture, social organization, cosmology, aesthetics, and rituals.
This volume draws together over two centuries' worth of Osage art, tracing the patterns of Osage life and culture as they existed from contact to the present. The Osage people thrived in the central Mississippi Valley fur trade from the late seventeenth through the early nineteenth centuries, were forcibly relocated into northern Oklahoma in the nineteenth century, and prospered again from mineral and oil wealth in the twentieth century.
As with other civilizations that have balanced abundance with hardship, the Osage experience yielded a highly refined artistic tradition, rich in meaning and complex in its commitment to utility. Cradle boards, headdresses, riding quirts and war clubs, beadwork and ribbon work, blankets, peyote fans, rattles, wedding garments, and dance costumes display the range and beauty of Osage material culture. In contrast to many other Native American artistic traditions, Osage art has never been commercialized: artisans have typically made items only for members of their families or other members of the Osage community.
Although contemporary Osage art shows direct continuity in decorative motifs and basic forms with early historic Osage art, it is still a dynamic and evolving artistic tradition. Uninfluenced by external market forces, it represents one of a declining number of true indigenous living artistic traditions. The works illustrated here reveal the bold yet subtle aesthetic of Osage art, one of the most distinctive and significant Native artistic traditions in the United States.
目次
Foreword--Brent R. BenjaminAcknowledgments--John W. NunleyIntroduction--Garrick Bailey1. Early Osage Art and History--Garrick Bailey2. Osage Cosmology--Garrick Bailey3. Osage Daily Life: Living Life as a Prayer--Garrick Bailey4. The Osage Peyote Religion--Daniel C. Swan5. The Richest People in the World--Garrick Bailey6. Osage Dancing Societies and Organizations7. Osage Aethetics--A Curatorial View--John W. Nunley, E. Sean StandingBearNotesReferencesIndexPhotography Credits
「Nielsen BookData」 より