Bibliographic Information

The war film

edited and with an introduction by Robert Eberwein

(Rutgers depth of field series)

Rutgers University Press, c2005

  • : [hbk.]
  • : [pbk.]

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Note

Includes bibliographical references (p. [223]-225) and index

Description and Table of Contents
Volume

: [hbk.] ISBN 9780813534961

Description

War has had a powerful impact on the film industry. But it is not only wars that affect films; films influence war-time behavior and incisively shape the way we think about the battles that have been waged. Robert Eberwein brings together essays by scholars using a variety of critical approaches to explore this film genre.
Volume

: [pbk.] ISBN 9780813534978

Description

War has had a powerful impact on the film industry. But it is not only wars that affect films; films influence war-time behavior and incisively shape the way we think about the battles that have been waged. In The War Film, Robert Eberwein brings together essays by scholars using a variety of critical approaches to explore this enduringly popular film genre. Contributors examine the narrative and aesthetic elements of war films from four perspectives: consideration of generic conventions in works such as All Quiet on the Western Front, Bataan, and The Thin Red Line; treatment of race in various war films, including Glory, Home of the Brave, Platoon,and Hamburger Hill; aspects of gender, masculinity and feminism in The Red Badge of Courage, Rambo, Dogfight, and Courage under Fire; and analysis of the impact of contemporary history on the production and reception of films such as The Life and Times of Rosie the Riveter, Saving Private Ryan, and We Were Soldiers. Drawing attention to the dynamic interrelationships among politics, nationalism, history, gender, and film, this comprehensive anthology is bound to become a classroom favorite.

Table of Contents

Acknowledgments Introduction Genre Race Gender History Selected Bibliography Contributors Index

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