The preservation and use of historic musical instruments : display case and concert hall
Author(s)
Bibliographic Information
The preservation and use of historic musical instruments : display case and concert hall
Earthscan, 2005
- : pbk
Available at 3 libraries
  Aomori
  Iwate
  Miyagi
  Akita
  Yamagata
  Fukushima
  Ibaraki
  Tochigi
  Gunma
  Saitama
  Chiba
  Tokyo
  Kanagawa
  Niigata
  Toyama
  Ishikawa
  Fukui
  Yamanashi
  Nagano
  Gifu
  Shizuoka
  Aichi
  Mie
  Shiga
  Kyoto
  Osaka
  Hyogo
  Nara
  Wakayama
  Tottori
  Shimane
  Okayama
  Hiroshima
  Yamaguchi
  Tokushima
  Kagawa
  Ehime
  Kochi
  Fukuoka
  Saga
  Nagasaki
  Kumamoto
  Oita
  Miyazaki
  Kagoshima
  Okinawa
  Korea
  China
  Thailand
  United Kingdom
  Germany
  Switzerland
  France
  Belgium
  Netherlands
  Sweden
  Norway
  United States of America
Note
Includes bibliographical references (p. 287-297) and index
Description and Table of Contents
Description
A tension has arisen between those who favour restoration of instruments to playing state and those who argue for non-functioning preservation. This book dissects the rationales that underlie and drive actions in this field. The above polarity is deflated, paving the way for a balanced and rational approach to the care, preservation and interpretation of historic musical instruments.
Table of Contents
- Preface
- The Historic Musical Instrument
- Categorization
- The Silent Artisan
- Currency
- Preservation
- Restitution
- Sparing the Original
- Criticism and Critique
- Glenn Gould's Working Piano
- The Amati Quartet
- Richard Coates' Barrel Organ
- Virginals by Marco Jadra
- The Opus Collection
- Benton Fletcher's Kirckman Harpsichord
- Glenn Gould's Favourite Piano
- The Oldest English Fortepiano
- The Confidence of Currency
- The Assurance of Preservation
- The Dissonance of Restitution
- Is Restoration Acceptable? Reconciliation
- Last Words
- Appendix, Bibliography, Index
by "Nielsen BookData"