Byron and the Victorians

Bibliographic Information

Byron and the Victorians

Andrew Elfenbein

(Cambridge studies in nineteenth-century literature and culture, 4)

Cambridge University Press, 2004

  • : pbk

Available at  / 8 libraries

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Note

"First paperback edition 2004"--T.p. verso

Includes bibliographical references and index

Description and Table of Contents

Description

This book is the first full-length study of Byron's influence on Victorian writers, concentrating on Carlyle, Emily Bronte, Tennyson, Bulwer Lytton, Disraeli, and Wilde. It has two emphases, theoretical and literary-historical. Its theoretical project is to revise earlier understanding of literary influence through a demonstration of the ways that institutions of cultural production mediate the access that later writers have to earlier ones. Its literary-historical project is to suggest the many different responses that Victorian writers had to Byron and to his celebrity in British culture. It argues that defining oneself against Byron became a ritual of the Victorian authorial career. Victorian writers did not reject Byron outright: instead, they defined themselves through fictions of personal development away from values associated with Byron towards those associated with themselves as mature Victorian writers.

Table of Contents

  • Introduction
  • 1. Byron and the secret self
  • 2. The creation of Byronism
  • 3. Carlyle, Byronism, and the professional intellectual
  • 4. Byron at the margins: Emily Bronte and the fate of Milo
  • 5. The flight from vulgarity: Tennyson and Byron
  • 6. The shady side of the sword: Bulwer Lytton, Disraeli, Wilde, and Byron's homosexuality
  • Afterword.

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