Animation art : from pencil to pixel, the history of cartoon, anime & cgi

Bibliographic Information

Animation art : from pencil to pixel, the history of cartoon, anime & cgi

general editor, Jerry Beck ; forewords, Jeffrey Katzenberg & Bill Plympton ; authors, Ryan Ball, ... [et al.]

Haper Design International, 2004

Available at  / 7 libraries

Search this Book/Journal

Note

Includes bibliographical references and index

Description and Table of Contents

Description

This large format, comprehensive, high quality and visually rich art book covers the history of animation throughout the world, focusing heavily on the North American creative engines of Disney, Warner and now the new, small production CGI houses.The book is divided into world regions to reveal the clear developments in each area, but heavy cross referencing will show the increasing internationalization of animation from the 1930's when the industry and creative imagination of Walt Disney began to infect artists and producers the world over, revealed most recently in The Matrix phenomenon where the bridge between the first and subsequent films, (Animatrix, nine animated shorts), was provided by a pioneering collaboration between US and Japanese animation studios. Beginning with the earliest in animation, we follow the few individuals who worked on their own to develop techniques that would soon transform animation into a mass-market phenomenon. In recent years, animation has been hugely impacted by the arrival of the computer, seen in films such as Toy Story and Shrek. Computers have pushed animation to the limit by achieving fine, detailed, real-world rendering techniques that challenge the next generation of animators.

by "Nielsen BookData"

Details

  • NCID
    BA70825844
  • ISBN
    • 0060737131
  • LCCN
    2004109427
  • Country Code
    us
  • Title Language Code
    eng
  • Text Language Code
    eng
  • Place of Publication
    New York
  • Pages/Volumes
    382 p.
  • Size
    28 cm
Page Top