Historical musicology : sources, methods, interpretations

著者

• Crist, Stephen A.
• Marvin, Roberta Montemorra
• Marshall, Robert Lewis

書誌事項

Historical musicology : sources, methods, interpretations

edited by Stephen A. Crist and Roberta Montemorra Marvin

（Eastman studies in music）

University of Rochester Press, 2004

• : hardcover
• : pbk

注記

Festschrift for Robert L. Marshall

Includes bibliographical references and index

収録内容

• Introduction. Scholarly inquiry in historical musicology : sources, methods, interpretations / Roberta Montemorra Marvin
• A collaboration between Cipriano de Rore and Baldissera Donato? / Jessie Ann Owens
• New perspectives on Bach's Great eighteen chorales / Russell Stinson
• Historical theology and hymnology as tools for interpreting Bach's church cantatas : the case of Ich elender Mensch, wer wird mich erlösen, BWV 48 / Stephen A. Crist
• Performance practice issues that affect meaning in two Bach instrumental works / Michael Marissen
• Mozart's Mitridate : going beyond the text / Ellen T. Harris
• Carl Philipp Emanuel Bach and the aesthetics of patricide / Richard Kramer
• Joseph Haydn's influence on the symphonies of Antonio Rosetti / Lawrence F. Bernstein
• Reason and imagination : Beethoven's aesthetic evolution / Maynard Solomon
• Schubert as formal architect : the Quartettsatz, D. 703 / Lewis Lockwood
• Sex, sexuality, and Schubert's piano music / Jeffrey Kallberg
• "La belle exécution" : Johann Nepomuk Hummel's treatise and the art of playing the pianoforte / Mark Kroll
• "For you have been rebellious against the Lord" : the Jewish image in Mendelssohn's Moses and Marx's Mose / Jeffrey S. Sposato
• Andrea Maffei's "ugly sin" : the libretto for Verdi's I masnadieri / Roberta Montemorra Marvin
• Mozart's piano concertos and the romantic generation / Claudia Macdonald
• "Wo die Zitronen blühn" : re-versions of Arie antiche / Margaret Murata
• Material culture and postmodern positivism : rethinking the "popular" in late-nineteenth-century French music / Jann Pasler
• Otto Gombosi's correspondence at the University of Chicago / Laurence Libin

内容説明・目次

巻冊次

: hardcover ISBN 9781580461115

内容説明

How do we know what notes a composer intended in a given piece? -- how those notes should be played and sung? -- the nature of musical life in Bach's Leipzig, Schubert's Vienna? -- how music related to literature and other arts and social currents in different times and places? -- what attitudes musicians and music lovers had toward the music that they heard and made? We know all this from musical manuscripts and prints, opera libretti, composers' letters, reviews in newspapers and magazines, archival data, contemporary pedagogical writings, essays on aesthetics, and much else. Some of these categories of sources are the bedrock of music history and musicology. Others have begun to be examined only in recent years. Furthermore, musicologists -- including biographers of famous composers -- now explore these various kinds of sources in a variety of ways, some of them richly traditional and others exciting and novel. These seventeen essays, all newly written, use a wide array of source materials to probe issues pertaining to a cross section of musical works and musical life from the sixteenth through the twentieth centuries. The resulting, pluralistic profile of current musicology will prove welcome to anyone fascinated by the problems of reconstructing -- reimagining, sometimes -- the evanescent musical art of the past and pondering its implications for musical life today and in the future. Roberta Montemorra Marvin is Director of Research and Development for International Programs, University of Iowa; Stephen A. Crist is Associate Professor and Chair ofthe Music Department at Emory University.

目次

Introduction: Scholarly Inquiry in Historical Musicology: Sources, Methods, Interpretation - Roberta Marvin A Collaboration between Cipriano de Rore and Baldissera Donato? - Jessie Ann Owens New Perspectives on Bach's Great Eighteen Chorales - Russell Stinson Historical Theology and Hymnology as Tools for Interpreting Bach's Church Cantatas - Stephen Crist Performance Practice Issues That Affect Meaning in Two Bach Instrumental Works - Michael Marissen Mozart's Mitridate: Going beyond the Text - Ellen T. Harris Carl Philipp Emanuel Bach and the Aesthetics of Patricide - Richard Kramer Joseph Haydn's Influence on the Symphonies of Antonio Rosetti - Lawrence F. Bernstein Reason and Imagination: Beethoven's Aesthetic Evolution - Maynard Solomon Schubert as Formal Architect: The Quartettsatz, D. 703 - Lewis Lockwood Sex, Sexuality, and Schubert's Piano Music - Jeffrey Kallberg "La Belle Execution": Johann Nepomuk Hummel's Treatise and the Art of Playing the Pianoforte - Mark Kroll "For You Have Been Rebellious against the Lord": The Jewish Image in Mendelssohn's Moses and Marx's Mose - Jeffrey Sposato Andrea Maffei's "Ugly Sin": The Libretto for Verdi's I masnadieri - Roberta Marvin Mozart's Piano Concertos and the Romantic Generation - Claudia Macdonald "Wo die Zitronen bluhn": Re-Versions of Arie antiche - Margaret Murata Material Culture and Postmodern Positivism: Rethinking the "Popular" in Late Nineteenth-Century French Music - Jann Pasler Otto Gombosi's Correspondence at the University of Chicago - Laurence Libin

巻冊次

: pbk ISBN 9781580463010

内容説明

Seventeen studies by noted experts that demonstrate recent approaches toward the creative interpretation of primary sources regarding Renaissance and Baroque music, Mozart, Beethoven, Mendelssohn, Verdi, Debussy, and beyond. How do we know what notes a composer intended in a given piece? -- how those notes should be played and sung? -- the nature of musical life in Bach's Leipzig, Schubert's Vienna? -- how music related to literature and other arts and social currents in different times and places? -- what attitudes musicians and music lovers had toward the music that they heard and made? We know all this from musical manuscripts and prints, opera libretti, composers'letters, reviews in newspapers and magazines, archival data, contemporary pedagogical writings, essays on aesthetics, and much else. Some of these categories of sources are the bedrock of music history and musicology. Others havebegun to be examined only in recent years. Furthermore, musicologists -- including biographers of famous composers -- now explore these various kinds of sources in a variety of ways, some of them richly traditional and others exciting and novel. These seventeen essays, all newly written, use a wide array of source materials to probe issues pertaining to a cross section of musical works and musical life from the sixteenth through the twentieth centuries. The resulting, pluralistic profile of current musicology will prove welcome to anyone fascinated by the problems of reconstructing -- reimagining, sometimes -- the evanescent musical art of the past and pondering its implications for musical life today and in the future. Roberta Montemorra Marvin is a Research Fellow at the Obermann Center for Advanced Studies at the University of Iowa where she is also Director of the Institute for Italian Opera Studies; Stephen A. Crist is associate professor and chair of the Music Department at Emory University.

目次

Introduction: Scholarly Inquiry in Historical Musicology: Sources, Methods, Interpretations - Roberta Marvin A Collaboration between Cipriano de Rore and Baldissera Donato? - Jessie Ann Owens New Perspectives on Bach's Great Eighteen Chorales - Russell Stinson Historical Theology and Hymnology as Tools for Interpreting Bach's Church Cantatas: The Case of Ich elender Mensch, wer wird mich erloesen, BWV 48 BWV 48 - Stephen Crist Performance Practice Issues That Affect Meaning in Two Bach Instrumental Works - Michael Marissen Mozart's Mitridate: Going beyond the Text - Ellen T. Harris Carl Philipp Emanuel Bach and the Aesthetics of Patricide - Richard Kramer Joseph Haydn's Influence on the Symphonies of Antonio Rosetti - Lawrence F. Bernstein Reason and Imagination: Beethoven's Aesthetic Evolution - Maynard Solomon Schubert as Formal Architect: The Quartrttsatz, D.703 - Lewis Lockwood Sex, Sexuality, and Schubert's Piano Music - Jeffrey Kallberg "Le Belle Execution": Johann Nepomuk Hummel's Treatise and the Art of Playing the Pianoforte - Mark Kroll "For You Have Been Rebellious against the Lord": The Jewish Image in Mendelssohn's Moses and Marx's Mose - Jeffrey Sposato Andrea Maffei's "Ugly Sin": The Libretto for Verdi's I masnadieri - Roberta Marvin Mozart's Piano Concertos and the Romantic Generation - Claudia Macdonald "Wo die Zitronen bluhn": Re-Versions of Arie antiche - Margaret Murata Material Culture and Postmodern Positivism: Rethinking the "Popular" in Late-Nineteenth Century French Music - Jann Pasler Otto Gombosi's Correspondence at the University of Chicago - Laurence Libin

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詳細情報

• NII書誌ID(NCID): BA70854478
• ISBN:
  • 1580461115
  • 9781580463010
• LCCN: 2004008142
• 出版国コード: us
• タイトル言語コード: eng
• 本文言語コード: eng
• 出版地: Rochester, N.Y.
• ページ数/冊数: viii, 429 p.
• 大きさ: 24 cm
• 分類:
  • LCC : ML55.M265
• 件名:
  • LCSH : Music -- History and criticism
• 親書誌ID:
  • BA27676296