The musician as entrepreneur, 1700-1914 : managers, charlatans, and idealists
著者
書誌事項
The musician as entrepreneur, 1700-1914 : managers, charlatans, and idealists
Indiana University Press, c2004
大学図書館所蔵 全3件
  青森
  岩手
  宮城
  秋田
  山形
  福島
  茨城
  栃木
  群馬
  埼玉
  千葉
  東京
  神奈川
  新潟
  富山
  石川
  福井
  山梨
  長野
  岐阜
  静岡
  愛知
  三重
  滋賀
  京都
  大阪
  兵庫
  奈良
  和歌山
  鳥取
  島根
  岡山
  広島
  山口
  徳島
  香川
  愛媛
  高知
  福岡
  佐賀
  長崎
  熊本
  大分
  宮崎
  鹿児島
  沖縄
  韓国
  中国
  タイ
  イギリス
  ドイツ
  スイス
  フランス
  ベルギー
  オランダ
  スウェーデン
  ノルウェー
  アメリカ
注記
Includes bibliographical references and index
内容説明・目次
内容説明
To be successful, a musician often has to be an entrepreneur: someone who starts a performing venue, develops patrons, and promotes the project aggressively. Accomplishing this requires musicians to acquire social and business skills and to be highly opportunistic in what they do. In The Musician as Entrepreneur, 1700-1914, international scholars investigate cases of musical entrepreneurship between around 1700 and 1914 in Britain, France, Germany, and the United States. By uncovering the ways in which musicians such as Telemann, Beethoven, Paganini, and Liszt conducted their daily business, the authors reveal how musicians reshaped the frameworks of musical culture and, in the process, the nature of the music itself.
目次
Preface
I. Overview of the Subject
1. William Weber, "The Musician as Entrepreneur and Opportunist, 1700-1914"
2. Richard Leppert, "The Musician of the Imagination"
II. Early Musical Entrepreneurs
3. Tanya Kevorkian, "Changing Times, Changing Music: 'New Church' Music and Musicians in Leipzig, 1700-1750"
4. David Gramit, "Selling the Serious: The Commodification of Music and Resistance to it in Germany, c. 1800"
III. Concert Management in the Nineteenth Century
5. William Weber, "From the Self-Managing Musician to the Independent Concert Agent"
6. Laure Schnapper, "Bernard Ullman-Henri Herz: An Example of Financial and Artistic Partnership, 1846-1849"
7. Dana Gooley, "Franz Liszt: The Virtuoso as Strategist"
8. Simon McVeigh, "'An Audience for High-Class Music': The Musician as Entrepreneur in late Nineteenth-Century London"
IV. Women as Entrepreneurs
9. Tia DeNora, "Embodiment and Opportunity: Bodily Capital, Reputation and Social Difference in Beethoven's Vienna Partnership"
10. Paula Gillett, "Entrepreneurial Women Musicians in Britain: 1790s to the early 1900s"
11. Jann Pasler, "Countess Greffulhe as Entrepreneur: Negotiating Class, Gender, and Nation"
Index
Contributors
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