Shakespeare's rhetoric of comic character : dramatic convention in classical and renaissance comedy
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Bibliographic Information
Shakespeare's rhetoric of comic character : dramatic convention in classical and renaissance comedy
（Routledge library editions, . Shakespeare . Comedies ; 6）
Routledge, 2005, c1985
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Note
Reprint. Originally published by Methuen, 1985
Includes indexes
Description and Table of Contents
Description
First published in 1985.
In this revisionist history of comic characterization, Karen Newman argues that, contrary to received opinion, Shakespeare was not the first comic dramatist to create self-conscious characters who seem 'lifelike' or 'realistic'. His comic practice is firmly set within a comic tradition which stretches from Plautus and Menander to playwrights of the Italian Renaissance.
Table of Contents
- Introduction
- Chapter 1 The inward springs
- Chapter 2 Comic plot conventions in Measure for Measure
- Chapter 3 Menander and New Comedy
- Chapter 4 Plautus and Terence
- Chapter 5 The enchantments of Circe
- Chapter 6 'And all their minds transfigur'd'
- Chapter 7 Magic versus time
- Chapter 8 Mistaking in Much Ado
- Chapter 9 Shakespeare's rhetoric of consciousness
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