John Frederick Kensett, an American master
Author(s)
Bibliographic Information
John Frederick Kensett, an American master
Worcester Art Museum in association with Norton, c1985
1st ed
Available at 5 libraries
  Aomori
  Iwate
  Miyagi
  Akita
  Yamagata
  Fukushima
  Ibaraki
  Tochigi
  Gunma
  Saitama
  Chiba
  Tokyo
  Kanagawa
  Niigata
  Toyama
  Ishikawa
  Fukui
  Yamanashi
  Nagano
  Gifu
  Shizuoka
  Aichi
  Mie
  Shiga
  Kyoto
  Osaka
  Hyogo
  Nara
  Wakayama
  Tottori
  Shimane
  Okayama
  Hiroshima
  Yamaguchi
  Tokushima
  Kagawa
  Ehime
  Kochi
  Fukuoka
  Saga
  Nagasaki
  Kumamoto
  Oita
  Miyazaki
  Kagoshima
  Okinawa
  Korea
  China
  Thailand
  United Kingdom
  Germany
  Switzerland
  France
  Belgium
  Netherlands
  Sweden
  Norway
  United States of America
Note
Catalogue of an exhibition held at the Worcester Art Museum, Los Angeles County Museum of Art, and the Metropolitan Museum of Art
Exhibition itinerary: Worcester Art Museum, March 24-June 9, 1985 ; Los Angeles County Museum of Art, July 11-September 8, 1985 ; the Metropolitan Museum of Art, October 29, 1985-January 19, 1986
Bibliography: p. 194-198
Includes index
Description and Table of Contents
Description
This volume presents the first extensive record of the life and work of John Frederick Kensett, one of America's most successful and admired landscape and marine painters of the mid-nineteenth century. His early training as an apprentice in his father's engraving shop was humble, and soon bored by the tedium of the craft, Kensett aspired to a higher vocation, that of a painter. In pursuit of this career, he embarked for Europe in 1840. There his studies of the Old Masters, his constant sketching and exploration of nature, and a close-knit community of artists bolstered his commitment to painting, despite financial hardship.
Success was not long in coming to Kensett, after his return to America in 1847. He followed on the heels of the older generation of Hudson River School landscapists and drew inspiration from the picturesque scenery of his homeland. His views of the Catskills, Adirondacks, White Mountains and Berkshires brought the praise and patronage of critics, fellow artists and collectors. By the 1860s Kensett had turned to the broad expanses of New England's coastline, filling his paintings with a luminosity that enhanced the quiet harmonies of nature. On a more personal level, Kensett also left his mark through his generosity to fellow artists and his untiring efforts to gain professional recognition for art and artists in America, including his service as a founding trustee of the Metropolitan Museum of Art. Tragically, his good work on all fronts was cut short by his untimely death in 1872.
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