Surrealism and the visual arts : theory and reception
著者
書誌事項
Surrealism and the visual arts : theory and reception
Cambridge University Press, 2005
大学図書館所蔵 全11件
  青森
  岩手
  宮城
  秋田
  山形
  福島
  茨城
  栃木
  群馬
  埼玉
  千葉
  東京
  神奈川
  新潟
  富山
  石川
  福井
  山梨
  長野
  岐阜
  静岡
  愛知
  三重
  滋賀
  京都
  大阪
  兵庫
  奈良
  和歌山
  鳥取
  島根
  岡山
  広島
  山口
  徳島
  香川
  愛媛
  高知
  福岡
  佐賀
  長崎
  熊本
  大分
  宮崎
  鹿児島
  沖縄
  韓国
  中国
  タイ
  イギリス
  ドイツ
  スイス
  フランス
  ベルギー
  オランダ
  スウェーデン
  ノルウェー
  アメリカ
注記
Includes bibliographical references and index
内容説明・目次
内容説明
This 2005 study traces the development of Surrealist theory of visual art and its reception, from the birth of Surrealism to its institutionalization in the mid-1930s. Situating Surrealist art theory in its theoretical and discursive contexts, Kim Grant demonstrates the complex interplay between Surrealism and contemporary art criticism. She examines the challenge to Surrealist art raised by the magazine Cahiers d'Art, which promoted a group of young painters dedicated to a liberated and poetic painting process that was in keeping with the formalist evolution of modern art. Grant also discusses the centrality of visual art in Surrealism as a material manifestation of poetry, the significance of poetry in French theories of modern art, and the difficulties faced by an avant-garde art movement at a time when contemporary audiences had come to expect revolutionary innovation.
目次
- Part I. Poetry in the Theory and Criticism of Modern Painting in France: 1. The tradition of poetry and lyricism in French art criticism
- 2. Modern painting as poetic language
- 3. The discovery of lyricism
- 4. Andre Breton and modern art
- Part II. Establishing a Surrealist Visual Art: 5. Defining Surrealism
- 6. Defining Surrealist visual art
- 7. Surrealism and painting I: the foundation of Surrealist art
- 8. La Peinture Surrealiste: the presentation of Surrealist art and its reception
- 9. Surrealism and painting II: materialism and morality
- Part III. The Threat of Surrealist Art: 10. Initiating the challenge
- 11. Surrealism and painting III: avoiding automatism
- 12. Appropriating automatism
- 13. Realism and Surrealism
- Part IV. Poetry Made Concrete: 14. Defying painting
- 15. Remaking reality
- 16. Automatic style
- 17. Conclusion: Surrealism as an institution.
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