The poetics of Titian's religious paintings
著者
書誌事項
The poetics of Titian's religious paintings
Cambridge University Press, 2005
大学図書館所蔵 全11件
  青森
  岩手
  宮城
  秋田
  山形
  福島
  茨城
  栃木
  群馬
  埼玉
  千葉
  東京
  神奈川
  新潟
  富山
  石川
  福井
  山梨
  長野
  岐阜
  静岡
  愛知
  三重
  滋賀
  京都
  大阪
  兵庫
  奈良
  和歌山
  鳥取
  島根
  岡山
  広島
  山口
  徳島
  香川
  愛媛
  高知
  福岡
  佐賀
  長崎
  熊本
  大分
  宮崎
  鹿児島
  沖縄
  韓国
  中国
  タイ
  イギリス
  ドイツ
  スイス
  フランス
  ベルギー
  オランダ
  スウェーデン
  ノルウェー
  アメリカ
注記
Includes bibliographical references (p. 233-257) and index
内容説明・目次
内容説明
This book examines issues of sensuality and violence in Titian's religious paintings in context of the changing religious climate of sixteenth-century Venice. Titian's literary friends struggled with the same issues of decorum in their writings. Many writers had books banned, or were tried for heresy, while others became Inquisitors. D'Elia has assembled a catalog documenting Titian's relationships with over sixty writers. She reveals that Titian, like many of the writers he knew, did not distinguish between sacred or secular subjects, instead using different decorum for paintings of different sizes, locations, or subjects. Titian painted according to the principles of genre: high subjects requiring grandiloquent rhetoric, pastoral ones humility, tragic martyrdom with violence, and the passion of the Magdalene, eroticism. Titian's decorous, but hardly restrained paintings became central models for Baroque painting, which suggests new ways to interpret the Counter Reformation and art.
目次
- 1. Christian pastoral
- 2. A Christian Laocooen
- 3. Christian tragedy
- 4. Christian petrarchism
- 5. Christian epic
- Conclusion: Titian and the decorum of genre
- Epilogue: Titian and the Counter Reformation
- Appendix: A preliminary catalogue of writers with connections to Titian.
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