Literature, film and the culture industry in contemporary Austria
Author(s)
Bibliographic Information
Literature, film and the culture industry in contemporary Austria
(Austrian culture, v. 33)
P. Lang, c2002
Available at 1 libraries
  Aomori
  Iwate
  Miyagi
  Akita
  Yamagata
  Fukushima
  Ibaraki
  Tochigi
  Gunma
  Saitama
  Chiba
  Tokyo
  Kanagawa
  Niigata
  Toyama
  Ishikawa
  Fukui
  Yamanashi
  Nagano
  Gifu
  Shizuoka
  Aichi
  Mie
  Shiga
  Kyoto
  Osaka
  Hyogo
  Nara
  Wakayama
  Tottori
  Shimane
  Okayama
  Hiroshima
  Yamaguchi
  Tokushima
  Kagawa
  Ehime
  Kochi
  Fukuoka
  Saga
  Nagasaki
  Kumamoto
  Oita
  Miyazaki
  Kagoshima
  Okinawa
  Korea
  China
  Thailand
  United Kingdom
  Germany
  Switzerland
  France
  Belgium
  Netherlands
  Sweden
  Norway
  United States of America
Note
Includes bibliographical references and index
Description and Table of Contents
Description
Contemporary Austria habitually presents itself as the « cultural nation, or Kulturnation, where the promotion of culture is both of national and economic importance. In 1999, the government stated the value of culture in Austria as follows: « Our cultural heritage, contemporary culture, and art constitute major factors for both our own definition of cultural nation as well as the foreign perception of Austria. Since the 1950s, Austria has nurtured a romantic attitude toward its past glory and embraced a cultural conservatism that hindered many Austrians from developing an open mind toward - and interest in - cultural criticism, artistic experimentation, and innovation. Therefore, most state funding continues to be channeled toward Austria's established theaters and artists rather than the writers and filmmakers, who make significant contributions to the public discourse on cultural amnesia and historical revisionism by challenging with varying intensity and on differing aesthetic platforms Austria's misguided self-promotion, such as Kulturnation par excellence.
by "Nielsen BookData"