African drama and performance
Author(s)
Bibliographic Information
African drama and performance
(African expressive cultures)
Indiana University Press, c2004
- : pbk
Available at 2 libraries
  Aomori
  Iwate
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  Yamagata
  Fukushima
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  Tochigi
  Gunma
  Saitama
  Chiba
  Tokyo
  Kanagawa
  Niigata
  Toyama
  Ishikawa
  Fukui
  Yamanashi
  Nagano
  Gifu
  Shizuoka
  Aichi
  Mie
  Shiga
  Kyoto
  Osaka
  Hyogo
  Nara
  Wakayama
  Tottori
  Shimane
  Okayama
  Hiroshima
  Yamaguchi
  Tokushima
  Kagawa
  Ehime
  Kochi
  Fukuoka
  Saga
  Nagasaki
  Kumamoto
  Oita
  Miyazaki
  Kagoshima
  Okinawa
  Korea
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  United Kingdom
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Note
"A Research in African literatures book"--Facing t.p
Includes bibliographical references (p. [249]-268) and index
Description and Table of Contents
Description
African Drama and Performance is a collection of innovative and wide-ranging essays that bring conceptually fresh perspectives, from both renowned and emerging voices, to the study of drama, theatre, and performance in Africa. Topics range from studies of major dramatic authors and formal literary dramas to improvisational theatre and popular video films. South Africa's Truth and Reconciliation Commissions are analyzed as a kind of social performance, and aspects of African performance in the diaspora are also considered. This dynamic volume underscores theatre's role in postcolonial society and politics and reexamines performance as a form of high art and everyday social ritual.
Contributors are Akin Adesokan, Daniel Avorgbedor, Karin Barber, Nicholas Brown, Catherine Cole, John Conteh-Morgan, Johannes Fabian, Joachim Fiebach, Marie-Jose Hourantier, Loren Kruger, Pius Ngandu Nkashama, Isidore Okpewho, Tejumola Olaniyan, Ato Quayson, Sandra L. Richards, Wole Soyinka, Dominic Thomas, and Bob W. White.
Table of Contents
Acknowledgments
Introduction: Tejumola Olaniyan and John Conteh-Morgan
Part 1. General Contexts
1. TBA
Wole Soyinka
2. Dimensions of Theatricality in Africa
Joachim Fiebach
3. Theater and Anthropology, Theatricality and Culture
Johannes Fabian
4. Pre-Texts and Intermedia: African Theater and the Question of History
Ato Quayson
Part 2. Intercultural Negotiations
5. Soyinka, Euripides, and the Anxiety of Empire
Isidore Okpewho
6. Antigone in the "Land of the Incorruptible": Sylvain Bemba's Noces posthumes pour Santigone (Black Wedding Candles for Blessed- Antigone)
John Conteh-Morgan
7. Gestural Interpretation of the Occult in the Bin Kadi-So Adaptation of Macbeth
Marie-Jose Hourantier
8. Yoruba Gods on the American Stage: August Wilson's Joe Turner's Come and Gone
Sandra L. Richards
Part 3. Radical Politics and Aesthetics
9. Femi Osofisan: The Form of Uncommon Sense
Tejumola Olaniyan
10. Revolution and Recidivism: The Problem of Kenyan History in the Plays of Ngugi wa Thiong'o
Nicholas Brown
11. The Politics and Theater of Sony Labou Tansi
Dominic Thomas
Part 4. Popular Expressive Genres and the Performance of Culture
12. Theater for Development and TV Nation: Notes on Educational Soap Opera in South Africa
Loren Kruger
13. Literacy, Improvisation, and the Virtual Script in Yoruba Popular Theater
Karin Barber
14. Modernity's Trickster: "Dipping" and "Throwing" in Congolese Popular Dance Music
Bob W. White
15. How They See It: The Politics and Aesthetics of Nigeria Video Films
Akin Adesokan
Part 5. The Social as Drama
16. The Turner-Schechner Model of Performance as Social Drama: A Re-examination in Light of Anlo-Ewe Halo
Daniel Avorgbedor
17. Theaters of Truth, Acts of Reconciliation: The TRC in South Africa
Catherine Cole
18. Theatricality and Social Mimodrama
Pius Ngandu Nkashama
Bibliography
Contributors
Index
by "Nielsen BookData"