Speak it louder : Asian Americans making music
著者
書誌事項
Speak it louder : Asian Americans making music
Routledge, 2004
- : hdb
- : pbk
大学図書館所蔵 全7件
  青森
  岩手
  宮城
  秋田
  山形
  福島
  茨城
  栃木
  群馬
  埼玉
  千葉
  東京
  神奈川
  新潟
  富山
  石川
  福井
  山梨
  長野
  岐阜
  静岡
  愛知
  三重
  滋賀
  京都
  大阪
  兵庫
  奈良
  和歌山
  鳥取
  島根
  岡山
  広島
  山口
  徳島
  香川
  愛媛
  高知
  福岡
  佐賀
  長崎
  熊本
  大分
  宮崎
  鹿児島
  沖縄
  韓国
  中国
  タイ
  イギリス
  ドイツ
  スイス
  フランス
  ベルギー
  オランダ
  スウェーデン
  ノルウェー
  アメリカ
注記
Includes index
Bibliography: p. 347-381
内容説明・目次
内容説明
Speak It Louder: Asian Americans Making Music documents the variety of musics-from traditional Asian through jazz, classical, and pop-that have been created by Asian Americans. This book is not about "Asian American music" but rather about Asian Americans making music. This key distinction allows the author to track a wide range of musical genres. Wong covers an astonishing variety of music, ethnically as well as stylistically: Laotian song, Cambodian music drama, karaoke, Vietnamese pop, Japanese American taiko, Asian American hip hop, and panethnic Asian American improvisational music (encompassing jazz and avant-garde classical styles). In Wong's hands these diverse styles coalesce brilliantly around a coherent and consistent set of questions about what it means for Asian Americans to make music in environments of inter-ethnic contact, about the role of performativity in shaping social identities, and about the ways in which commercially and technologically mediated cultural production and reception transform individual perceptions of time, space, and society. Speak It Louder: AsianAmericans Making Music encompasses ethnomusicology, oral history, Asian American studies, and cultural performance studies. It promises to set a new standard for writing in these fields, and will raise new questions for scholars to tackle for many years to come.
目次
Acknowledgments Southeast Asian Immigrants Sounding Off Chapter 1: Asian American Performativities Chapter 2: History, Memory, Re-Membering Chapter 3: Taking (to) the Street: Cambodian Immigrants in the Philadelphia Mummers Parade Chapter 4: Karaoke as Phantasm: Mass Mediation and Agency in Vietnamese American Popular Music Chapter 5: Vietnamese American Technoculture in Orange County: Pham Duy at Home II. Encounters Chapter 6: Taking (to) the Streets Again: Theorizing the Asian American Festival Chapter 7: Listening to Local Practices: Asian American Performance and Identity Politics in Riverside, California III. New Interventions Chapter 8: The Asian American Body in Performance Chapter 9: Taiko in Asian America Chapter 10: Just Being There: Making Asian American Space in the Recording Industry Chapter 11: Finding an Asian American Audience: The Problem of Listening. Chapter 12: ImprovisAsians: Free Improvisation as Asian American Resistance Chapter 13: Ethnography, Ethnomusicology, and Post-White Theory Chapter 14: My Father's Life in Music. Appendix A: "Thinking of the Old Village," by Khamvong Insixiengmai (transcription and translation) Bibliography
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