Speak it louder : Asian Americans making music
Author(s)
Bibliographic Information
Speak it louder : Asian Americans making music
Routledge, 2004
- : hdb
- : pbk
Available at 7 libraries
  Aomori
  Iwate
  Miyagi
  Akita
  Yamagata
  Fukushima
  Ibaraki
  Tochigi
  Gunma
  Saitama
  Chiba
  Tokyo
  Kanagawa
  Niigata
  Toyama
  Ishikawa
  Fukui
  Yamanashi
  Nagano
  Gifu
  Shizuoka
  Aichi
  Mie
  Shiga
  Kyoto
  Osaka
  Hyogo
  Nara
  Wakayama
  Tottori
  Shimane
  Okayama
  Hiroshima
  Yamaguchi
  Tokushima
  Kagawa
  Ehime
  Kochi
  Fukuoka
  Saga
  Nagasaki
  Kumamoto
  Oita
  Miyazaki
  Kagoshima
  Okinawa
  Korea
  China
  Thailand
  United Kingdom
  Germany
  Switzerland
  France
  Belgium
  Netherlands
  Sweden
  Norway
  United States of America
Note
Includes index
Bibliography: p. 347-381
Description and Table of Contents
Description
Speak It Louder: Asian Americans Making Music documents the variety of musics-from traditional Asian through jazz, classical, and pop-that have been created by Asian Americans. This book is not about "Asian American music" but rather about Asian Americans making music. This key distinction allows the author to track a wide range of musical genres. Wong covers an astonishing variety of music, ethnically as well as stylistically: Laotian song, Cambodian music drama, karaoke, Vietnamese pop, Japanese American taiko, Asian American hip hop, and panethnic Asian American improvisational music (encompassing jazz and avant-garde classical styles). In Wong's hands these diverse styles coalesce brilliantly around a coherent and consistent set of questions about what it means for Asian Americans to make music in environments of inter-ethnic contact, about the role of performativity in shaping social identities, and about the ways in which commercially and technologically mediated cultural production and reception transform individual perceptions of time, space, and society. Speak It Louder: AsianAmericans Making Music encompasses ethnomusicology, oral history, Asian American studies, and cultural performance studies. It promises to set a new standard for writing in these fields, and will raise new questions for scholars to tackle for many years to come.
Table of Contents
Acknowledgments Southeast Asian Immigrants Sounding Off Chapter 1: Asian American Performativities Chapter 2: History, Memory, Re-Membering Chapter 3: Taking (to) the Street: Cambodian Immigrants in the Philadelphia Mummers Parade Chapter 4: Karaoke as Phantasm: Mass Mediation and Agency in Vietnamese American Popular Music Chapter 5: Vietnamese American Technoculture in Orange County: Pham Duy at Home II. Encounters Chapter 6: Taking (to) the Streets Again: Theorizing the Asian American Festival Chapter 7: Listening to Local Practices: Asian American Performance and Identity Politics in Riverside, California III. New Interventions Chapter 8: The Asian American Body in Performance Chapter 9: Taiko in Asian America Chapter 10: Just Being There: Making Asian American Space in the Recording Industry Chapter 11: Finding an Asian American Audience: The Problem of Listening. Chapter 12: ImprovisAsians: Free Improvisation as Asian American Resistance Chapter 13: Ethnography, Ethnomusicology, and Post-White Theory Chapter 14: My Father's Life in Music. Appendix A: "Thinking of the Old Village," by Khamvong Insixiengmai (transcription and translation) Bibliography
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