Masculine/feminine : practices of difference(s)
著者
書誌事項
Masculine/feminine : practices of difference(s)
(Post-contemporary interventions / series editors, Stanley Fish & Fredric Jameson)(Latin America in translation/en traducción/em tradução)
Duke University Press, c2004
- : cloth
- タイトル別名
-
Masculino/femenino
大学図書館所蔵 全2件
  青森
  岩手
  宮城
  秋田
  山形
  福島
  茨城
  栃木
  群馬
  埼玉
  千葉
  東京
  神奈川
  新潟
  富山
  石川
  福井
  山梨
  長野
  岐阜
  静岡
  愛知
  三重
  滋賀
  京都
  大阪
  兵庫
  奈良
  和歌山
  鳥取
  島根
  岡山
  広島
  山口
  徳島
  香川
  愛媛
  高知
  福岡
  佐賀
  長崎
  熊本
  大分
  宮崎
  鹿児島
  沖縄
  韓国
  中国
  タイ
  イギリス
  ドイツ
  スイス
  フランス
  ベルギー
  オランダ
  スウェーデン
  ノルウェー
  アメリカ
注記
Includes bibliographical references (p. [81]-86) and index
内容説明・目次
内容説明
Nelly Richard is one of the most prominent cultural theorists writing in Latin America today. As a participant in Chile's neo-avantgarde, Richard worked to expand the possibilities for cultural debate within the constraints imposed by the Pinochet dictatorship (1973-1990), and she has continued to offer incisive commentary about the country's transition to democracy. Well known as the founder and director of the influential Santiago-based journal Revista de critica cultural, Richard has been central to the dissemination throughout Latin America of work by key contemporary thinkers, including Nestor Garcia Canclini, Jacques Derrida, Fredric Jameson, and Diamela Eltit. Her own writing provides rigorous considerations of Latin American identity, postmodernism, gender, neoliberalism, and strategies of political and cultural resistance. Richard helped to organize the 1987 International Conference on Latin American Women's Literature in Santiago, one of the most significant literary events to take place under the Pinochet dictatorship. Published in Chile in 1993, Masculine/Feminine develops some of the key issues brought to the fore during that landmark meeting. Richard theorizes why the feminist movement has been crucial not only to the liberation of women but also to understanding the ways in which power operated under the military regime in Chile. In one of her most widely praised essays, she explores the figure of the transvestite, artistic imagery of which exploded during the Chilean dictatorship. She examines the politics and the aesthetics of this phenomenon, particularly against the background of prostitution and shantytown poverty, and she argues that gay culture works to break down the social demarcations and rigid structures of city life. Masculine/Feminine makes available, for the first time in English, one of Latin America's most significant works of feminist theory.
目次
Translator's Acknowledgments vii
Translator's Preface ix
Note on This Translation xiii
ONE Spatial Politics: Cultural Criticism and Feminist Theory 1
TWO Does Writing Have a Gender? 17
THREE Politics and Aesthetics of the Sign 29
FOUR Gender Contortions and Sexual Doubling: Tranvestite Parody 43
FIVE Feminism and Postmodernism 55
Notes 69
Bibliography 81
Index 87
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